Jump to content

Search the Community

Showing results for tags 'EC'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Discussion Forums
    • General Concertina Discussion
    • Instrument Construction & Repair
    • Concertina History
    • Buy & Sell
    • Concertina Videos & Music
    • Teaching and Learning
    • Tunes /Songs
    • Forum Questions, Suggestions, Help
    • Ergonomics
  • News & Announcements
    • Public News & Announcements
    • Concertina.net Official Business
  • Tests
    • Test Forum

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Interests


Location

Found 18 results

  1. gcoover

    Anglo and EC sale

    Well, it’s certainly not the amazing Jowaisas Christmas Pyramid, more like the Coover Autumnal Quadrangle, but I’m putting up for sale four concertinas that have been sitting around taking up space when they should be getting played instead. Wheatstone 30-button Anglo concertina #51362 in C/G - $1850 Metal buttons, metal ends, early 1950’s, dovetailed steel reeds (regular reeds, not crimped), tuned to concert pitch, 8-fold leather bellows, Wheatstone handstraps. Recently refurbished and retuned by Greg Jowaisas who thought the reeds were “better than average” for instruments of this period. This is the concertina featured on the cover of “Christmas Concertina”. Comes with the original black square case that has sexy crushed red velvet inside. Gremlin 30-button Anglo concertina in G/D - $950 Metal buttons, metal ends, accordion reeds, concert pitch, 6-fold airtight bellows, riveted action. An early hybrid concertina with accordion reeds built as a budget model by Gremlin in the early 1980’s and purchased a few years from Marien Lina. I had taller handrests made for it, but can also include the shorter original ones. Featured on the cover of “Anglo Concertina in the Harmonic Style” and “Easy Anglo 1-2-3”. This is the second G/D I’ve owned but I find I still never play in G/D, so time to find this one a new home. Comes with a black square case with built-in combination lock. Lachenal 20-button Anglo concertina #198455 in C/G - $650 Bone buttons, mahogany ends, dovetailed steel reeds, concert pitch, 5-fold original bellows still airtight, new handstraps, recently refurbished by Greg Jowaisas (“a good 20b from a late period in Lachenal's history”). Probably built in the 1920’s, and although a fairly inexpensive instrument at the time it has a nice tone, somewhat soft due to the leather baffles (which could be removed if desired). Featured on the cover of “Civil War Concertina” and “Easy Anglo 1-2-3”. I’ll even throw in a copy of “Civil War Concertina” since all the tunes in that book can be played on a 20-button instrument. Comes with a beat-up hexagonal wooden case that works ok but has definitely seen better days. Wheatstone 22-button “May Fair” English Concertina #1263 – $550 This is a very rare 22-button English concertina that would be ideal for song accompaniment. It’s a Wheatstone May Fair English concertina #1263 in close to mint condition, built sometime in the 1950’s. It has 22-buttons (10 on the left and 12 on the right), wooden ends, 6-fold airtight bellows, accordion-style reeds in concert pitch, and comes with its original Wheatstone tweed case which is also in near-new condition. Having only 22 buttons, it is fully chromatic from G' below middle C to e above high c, 1.5 octaves. That’s it. It does not have any notes above e in the upper octave, so it probably would not suit if you’re wanting to play lots of Irish tunes, but it would be ideal for accompanying singing. Good examples would be the playing of Louis Killen, Tony Rose and other singers of traditional songs. You can play Planxty Irwin or Carolan’s Draught (or the first part of King of the Fairies), but it’s much better for songs like Pleasant & Delightful or Blackwaterside. Every note plays well, the bass notes are strong and clear, and the bellows are incredibly airtight. It plays way much better than one would expect for a budget instrument, has really nice and very strong tone, and even has fancy little violin-style f-holes in the fretwork. I'll be putting these on eBay shortly, but wanted to give the loyal cnet crowd a first chance. Shipping and insurance is extra to wherever you are. Simply PM me with your email address if you're interested and I can send you more photos of the interiors and exteriors, or I could even give you a Skype tour or a tune. Remember, Christmas is only a few short weeks away! Gary
  2. Ken_Coles

    Who Made These Reedpans

    I got these in a bag of other parts from a former, brass-reeded EC. Missing a few reeds, and many of them are mixed up - probably fell out and were shoved back in willy-nilly. The number, if you can't make it out, is 23965. While I expect odds are it is (was) a Lachenal, the action parts (levers and posts) are gone, while the rest of the casework is in small pieces. I'm primarily an anglo player, and the few ECs I've looked in have a circular paper on the reed pan giving the note names, and the maker or at least a later rebuilder. Also, the Lachenals I know and love (and the others too) have the number somewhere on the chamber side of the reedpan, and this does not. Is it still probably a Lachenal? I guess Wheatstone and Jones are the only others whose serial numbers got this high. Ken
  3. I've decided to sell one of my two Aeola tenor-trebles (unjustifiable extravagance to keep both!). I really struggled to decide which one to part with but have chosen the metal-ended 56-button one, serial number 26248 (which dates it at 1914). It has a bright tone, as you'd expect with a metal-ended Wheatstone, and has a fast, highly responsive action with a very free-speaking, lush sound and wide dynamic range - fabulous for tunes but also for gentle song accompaniment. It was professionally serviced about six years ago and the bellows, springs, pads, reeds and valves are in very good order. It's in concert pitch and is an absolute delight to play. The metal end-grills are typical for an instrument of this age, with the finish dull in places and with some wear to the plating. I've not had them re-plated as I think venerable instruments like this look great in their natural state, but these grills are easily re-plated if you prefer a gleaming, new-look finish. It comes in a modern hard case. I was originally asking £3,500 ono ... but now see below - only £2,750!! I tried putting images in here directly but couldn't get the size sensible, so here are external links: http://www.raychandler.net/images/Aeola3.jpg http://www.raychandler.net/images/Aeola4.jpg http://www.raychandler.net/images/Aeola2.jpg http://www.raychandler.net/images/Aeola5.jpg http://www.raychandler.net/images/Aeola6.jpg http://www.raychandler.net/images/Aeola1.jpg And here's a sound file just to give an indication of how it sounds and plays: http://www.raychandler.net/audio/Aeola.mp3
  4. Carrick Hornpipe performed by Lea Nicholson (English concertina) and Naomi Randall (guitar). This tune was originally written for the Northumbrian Smallpipes by the legendary smallpipe player Billy Pigg
  5. If you are around the DC Metro area this week and want a diversion from all the insanity: Randy Stein Music for Solo English Concertina Caboose Cafe, Thursday Jan 19th 6:30 - 8:30 and again at The Happy Tart, Sunday Jan 22nd 11:30 AM - 1:30 PM New Acoustic Traditions returns to the Grounded Coffee Shop Saturday January 20th Featuring The Squeezers 12:30-1:20 Lyssna (a Scandi trio) 1:30 - 2:30
  6. My lovely - in fantastic condition - 45 button Morse Geordie Tenor English Concertina is up for sale. It's a bit like a treble, but has an extra row so it goes to a 5th lower (i.e. the lowest note is a C rather than a G). It is in excellent condition, has fast action and plays beautifully (I don't though). I have a smaller Morse EC, which I am keeping, but I need to sell this one. I am a lifelong string player (mandolin etc) and 1 concertina is enough for me to enjoy. Rosewood stained Cherry ends, black Delrin buttons, brass fittings, riveted action, 6-fold bellows, and high-quality accordion-type reeds. With original hardshell case. Here's a link to the instrument on the Musicroom website... http://www.themusicroom-online.co.uk/product_info.php/products_id/5115 All offers will be considered - you may grab a bargain ) If anyone is interested, then please email me howard@thehilltribe.com. I live near Oxford, England. Once sold, then a donation to this website will be made. Thanks Howard (edited to include Musicroom link)
  7. I was wondering if anyone could offer an in depth review of Alistair Anderson’s tutorial DVD? There’s been some discussion on these forums but I’ve only found one person who had actually watched it once and said they expected to learn a lot from it. I’ve just purchased my first EC, (Lachenal New Model). I’m a fiddle player with loads of Trad, New England Contra Tunes in my head. I don’t need a tutor for learning to read music, nor do I need a book of tunes. What I need is to figure out how to get the tunes out of the instrument! I’m becoming familiar with the fingerboard and can play jigs and reels although certainly not at tempo. I’m ready to start adding a few chords to waltzes and do understand chord construction so it will just be a matter of choosing my voice and learning to control multiple fingers at once. I’ve scoured these forums and picked up a lot of tips. I’ve downloaded the Butler and Anderson tutors. I’ve worked through the Butler book until the point where it focuses on keys that I never use. I’ve yet to work with the Anderson book but did buy the companion CD and look forward to using them together. I’ve watched all of Martyn’s videos. Would anyone suggest the Anderson DVD or "Contemplating the Concertina" by Allan Atlas as my next best step in exploring this instrument? Thanks for any suggestions and all that I’ve already gained from the forums. Marlene
  8. I have just recieved my new wooden-ended Aeola TT from Theo Gibb. Apart from doing a brilliant job of restoration he has tuned it in 1/5 comma meantone for me. I am not aware of having heard an ec in this tuning before and I was apprehensive about doing it. After consulting on here I decided to go ahead and am glad I did. Chords are definately sweeter and more rounded with no harsh heterodyne beating, at least in the keys I normally play in. When there is any slight discord it is no worse than an instrument in ET (eg f#maj, a chord I never use). On the whole I am very pleased with this tuning and would recommend it to anyone who has doubts.
  9. Theo Gibb is about to start work on an Aeola TT for me. The subject of tuning has come up; ET or mean tone? I play both tunes and songs and for the latter would like the sweeter 3rds but do not wish to compromise playing tunes with other people. For tunes I use all the normal folk keys but use some less common ones for song e.g. Fm. Has anyone direct experience of a MT-tuned EC? What advice can you give? Many thanks Dick Trickey.
  10. When: Saturday, Dec 12 at 7:00PM Where: Congregation Etz Hayim 2920 Arlington Boulevard Arlington, VA 22204 Info: An Evening of Celebration of the Festival of Lights Through Music featuring Ein Lanu Z’man, the official band of Agudas Achim Congregation, directed by Hazzan Elisheva Dienstfrey, plus Hannah Spiro, Jewish Rock Radio Artist and student rabbi at Reconstructionist Rabbinical College. $18 at door, $15 in advance at FocusMusic.org
  11. CAFE DE LA MUSIQUE Randy Stein - English Concertina The Caboose Cafe Friday November 20th 6:30-8:30 2419 Mt Vernon Ave (in Del Ray) Alexandria, VA Featuring French, Italian, Tango, Popular American Standards and More
  12. Randy Stein

    Aquellos Ojos Verdes

    a wonderful Spanish tune from 1929 by Nilo Mendez. I used an accordion arrangement by Evodio Rivera. Still working on getting my fingers to memorize it but thought I'd put it out there. rss https://soundcloud.com/user827948939/aquellos-ojos-verdes
  13. Good evening ladies and gents. Just introducing myself to you now that I'm finally about to embark on my concertina adventure. As a complete beginner, I don't expect to be making any useful contributions to the forums for some time yet, but I'm very excited for this new challenge and I really want to tell people. You've drawn the short straw! The English system appeals to me, for it's logicality of layout and versatility as I'm not looking to become fluent in any particular musical style......in fact I'm not expecting to become very capable at all! That's not false modesty, btw, it's realism - piano lessons as a kid and years attempting to master the folk harp (along with a hopeless go at the ukulele which is best not talked about ) have taught me that my interest in music far outstrips my ability. What I'm hoping for (eventually) is a low-level proficiency just for my own enjoyment, and hopefully without driving my husband insane (again - ukulele!). He's being very brave about the impending ear-assault, even to the extent that he's ordered me the Jackie for Christmas. I've gathered from my researches that the Jackie is more 'cheap and cheerful' than 'cheap and nasty'. I hope I've interpreted that rightly. I shall begin by working from the tutor that comes with the Jackie, along with some YouTube tutorials I've found by a chap called Martyn (his YT channel is nytram1309), but if anyone can recommend other resources I'd be very grateful. Anyhoo, that's all for now. Sharon.
  14. Hi good people! I was wondering if there was anyone in Pennsylvania who might be willing to give a lesson on the English Concertina. I am in central PA, but am willing to travel quite far for an occasional lesson. After several years of teaching myself, I can muddle through by hitting notes, even the correct ones fairly rapidly when appropriate. I believe that my primary deficit is in the artistry that will turn those notes into music. I like playing a wide variety of music, from traditional Irish and Scottish, to classical. Have been having fun with some tangos, lately too. I think pointers on technique, style, phrasing, accompaniment would all be things from which i could benefit greatly. Thank you for any suggestions, and if you're willing and able to teach, please send me a p.m! I play a Baritone Geordie from the Button Box
  15. howardhill

    Swap Morse Tenor For Morse Treble

    I have a beautiful Morse Geordie Tenor English concertina. It has a greater range of notes than I will ever use and so I was wondering if anyone would want to swap their Morse Albion Treble for my Tenor. I would benefit from a smaller instrument and somebody could benefit from the greater range of low notes. Cheers Howard
  16. howardhill

    Jackie English Concertina For Sale

    My Jackie English Concertina is for sale. I can't find the soft case but I have the tutorial. The instrument itself is pretty much as new. I have recently bought a Morse EC. £275 or near offer Howard
  17. Just a note to let you know that I have been teaching English Concertina at Music Under the Southern Cross for the last 6 years. It is a live-in School lasting 6 days starting on Sunday evening and going to Friday lunch time. This year we had 7 English concertina students and I was assisted for two days by Sarah Wade. For those interested in attending please go to www.celt.com.au and follow the link to the School. The School has classes in English Concertina, Harp, Scottish Fiddle, Irish Fiddle, Canadian Fiddle, Uilleann Pipes, Mandolin, Guitar, Tin Whistle and Traditional Singing. The classes are not for beginners. Students need to be able to play a jig or reel at dance speed as a minimum - except for the singers. The School offers intensive tuition with Australia's top players/teachers. It is held in Australia's summer which is also the Northern Hemisphere's winter - hint, hint. Concertina students are invited to join the closed facebook group Music Under the Southern Cross Concertinas. This binds students together and helps with the planning of my classes. I try and get students to learn a couple of tunes before the School so we can concentrate on ornamentation, variations, rhythm and fluency. Each year a tune is taught by ear but music is also provided after the hard work has been done. The School also offers slow jams, a variety of sessions and electives on topics like dance and rhythm and has a large lake and pool. Music Under the Southern Cross is Australia's premier school for teaching traditional music. The School in 2015 will run into the nearby Newstead Folk Festival where many tutors and students will be performing. The School will have it's own concert. Everyone is encouraged to attend so that all can continue playing their new tunes and enjoying the friendships developed. For more information go to the website or email me at music@celt.com.au .
×