Search the Community

Hi! Great condition Morse. The second one I've owned. These instruments are made with such great craftsmanship in Sunderland Mass. I bought it used last year, on a bit of a discount as there is one wear mark from the previous owner's nail? In any event I paid $1950, looking for 1700. Willing to negotiate. Comes with fitted black case. Pictures attached. Will email more if you like Feel free to contact me here, or at this email for more pics: envfolkcd@gmail.com

I am looking for a new home for my Morse Albion Serial # 1040, December 2012 It is in great shape (nearly new), and plays beautifully. Hard case $2100+ shipping Donation to CNet of course! Sarah

I started with a Jackie four years ago, based on what I read in these forums, and I was hooked. Last year I bought my Albion treble. I kept the Jackie because I travel out of state for my job, and I keep the Jackie at my client site, so I don't risk the Albion with regular travel (and because I rapidly got spoiled with the convenience factor of not hauling the Jackie back and forth). A few months ago I started taking music lessons from a violin/mandolin/guitar player, who is astonished at finding herself teaching a concertina player but plays the kind of music I like, mainly contra dance tunes. (Concertinas are rather rare in Olympia, WA.) Now I find myself frustrated when I practice at home on the Albion and go to lessons with a Jackie. The missing accidentals and slower action are increasingly noticeable, the longer I work with my teacher. I want another concertina. Since I'm not likely to go all the way to Massachusetts anytime soon, I'm again looking to order one without having played it first. I love my Albion treble, so sticking with Morse seems a safe bet. Also, the two wheatstones I've had the privilege of playing were a lot heavier. I've read all the forum topics I could find on the Geordie and the Albion and baritones versus the higher ranges. I've listened to YouTube videos with each. I'm now rather inclined to the Geordie baritone right now. It looks like I can just play an octave lower and have the same fingering on songs I'm learning with my teacher. In some long far off future when I'm not traveling full time and would have both in the same state, having the flexibility to switch between them based on the song or who I'm playing with seems like a good thing to have. I also used to be a choir singer, and learning to accompany myself is attractive, too. Having a more mellow tone than with the treble might be good with some audiences, also. Thoughts? Recommendations?