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Found 2 results

  1. The only thing about my otherwise splendid Wheatstone treble EC is that there's no air button - I don't need it while playing, but closing the bellows up after tunes would be a benefit. So I was going to take out the pair of reeds on the very highest note, because I never ever use it and it's only really audible to dogs and bats. Are there any problems with that? Am I going to put strain on the pads or otherwise compromise the instrument? Obviously I will keep the reeds safe and slot them back in if I ever part with her. Any thoughts? TIA
  2. When you're overwhelmed, sometimes things stay in your subconscious for a while before resurfacing. This happened to me at the recent Noel Hill concertina school in Cincinnati, and what just bubbled up from my unconscious turns out to be something I"ll probably value the rest of my concertina playing life. This is what is bubbling up now. At some point, Noel corrected the way I was holding the instrument...on my right thigh. He suggested I change it to my left thigh, because the air-button hand -- the right hand -- is the "bowing hand" of the instrument. He made several comparisons between the fiddle and the concertina during the school, this was one that I'm really glad is coming back to me. Keeping this in mind is helping my bellows and air button work a lot, simply by giving it a frame or concept to hook it to. A simple and powerful concept.
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