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  1. Is it realistic to get a repair person to drop the left hand notes of a stagi hayden concertina by an octave? This would give some beefy basses, but would the bellows provide enough air to keep the instrument going? Has anyone tried this? A slightly different question - has anyone tried adapting a hayden so that there is no overlap between the two hands, also lowering the left hand tones to achieve this?
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