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Found 10 results

  1. I must say I resemble a concertina-playing pixie in amongst the speedwells here haha! This jaunty, puckish tune is one of those that just happened whilst absent mindedly noodling about. Just as the speedwells popped up unexpectedly when I stopped mowing a patch of lawn. It's all based around a repetitive riff or rhythmic figure, if you prefer, which uses notes that occur on both the push and pull. Here it's a D and A alternating with a D and G and then, in the middle section, a B and F# alternating with a B and G. There's something very mesmeric about these sorts of riffs, where you alternate the same note on push and pull. You can get quite a few of them on the 20 button anglo. I might do something on that subject soon. It also makes a change from chordal accompaniment. The melody in the right hand also just happened - I'd recommend anyone having a go and seeing what falls under the fingers and sounds good. What's fascinating is the mode that the piece is in - it's a D-ish kind of tune (like a D major scale but with a C natural on the seventh). D mixolydian mode I do believe! And then in the middle section it goes into what sounds like B minor. But! Very unusually it has a C natural on the second of the scale (B phrygian mode). But actually it's a lot simpler really - these scales are what happens when you try to play D major and B minor on a C/G 20 button anglo! You don't have any C sharps!
  2. Check this little 20 button beauty out. Not quite 4" flat to flat. She is right in between Eb/Bb and E/B, and beautifully in tune with herself, but not as airtight as I would like. Serial number 48556 by one source appears to have been made 1876 ish? Is this a rare specimen or pretty common? It has amazing sound for such a small thing...
  3. There's a fun bit at the end of this one! This is a bit of a spooky sounding tune. I wrote it after coming back from yet another failed drive around tiny rural lanes to get to Woolhope in Herefordshire*. I think it channels the frustration and turned-about feeling we had! Unusually for me this isn't about harmonies but instead about unexpected bellows directions and ambiguity offered by having two B/C buttons on the instrument (one on the left bottom side, the other on the right top) in different directions and playing around with that. Also a bit of pinky finger twisting in the middle section where things are largely on the lower end of the instrument. Ooh, and in the intro bit. It's a nice one to play with others because you can just alternate Em and F chords and it works - that has lead to some jazzy stuff! At the end of the video I get a bit syncopated and enjoy myself! *Now I'm a great navigator usually, but this one beat me (and I am relieved that I'm not alone in finding it hard to find the car-park!) We have been trying to go and walk on the Marcle ridge for a while now, with its gorgeous views east back to the Malvern Hills and views to the west towards Hereford and Wales. Turns out that there was a road signpost that had got turned about! Now, you could say the locals just didn't want any folk from Worcestershire coming over and touristing in their area. But actually the very landscape and underlying geology is well confusing too! Rings of ridges encircle Woolhope, providing a feeling of enclosed protection. There's a direct route in from the west!
  4. Morning! I have a Welsh folk tale inspired new tune Im discovering there are so many different ways you can accompany a tune on a 20button - and sustained chords (which are found at the end of this tune) are my latest enthusiasm! But they sure take some thought and bellows planning They really make me think of choral stuff and chapel organs which is lovely because I started playing as a wee dot on a reed organ. Are there names for all these types of accompaniments beyond being harmonic in nature? So far I can think of octaves (on all or some notes), countermelodies (imitations, inversions, in parallel 6ths of 3rds, equal written so the countermelody is a nice tune in itself), bass and chord (rhythmic, oom pah etc), countermelody + rhythmic chords, sustained chords, accompaniment of all the above types on r hand..and of course many styles and combinations of the above
  5. The more I play anglo, the more I’m finding what an incredibly expressive instrument it is. Obviously it naturally lends itself so very well to movement and danceability in a tune, but I’m also realising just how well it can lend itself to other moods. Id love to hear any examples you might have of anything sounding sad, soulful or wistful and what ways/techniques you might personally convey that using that. Here’s an example of what I’m trying at the moment: I’m also trying something new for me here in that this is largely unadorned melody (and only sparsely harmonised in the second half) whereas before I’d be trying everything in my “box of tricks of accompaniment” it seems!
  6. Here's my first attempt to explain, on camera, some background to a tune "Sprig" refers to the fact that this tune grew out of another one of my pieces - Hazel - whilst I was noodling about on the instrument (as you do!)
  7. Here’s my latest adventures on the 20button. It’s back from its visit to the doctors, hale and hearty and raring to go And this one is a bit different in that it is accompanied by a poetry reading, inspired by tree folklore and a tale from Welsh and Irish legend. But mostly because it just wanted to play this tune after coming back! Having fun exploring the Lydian mode i.e. C major scale with an added Fsharp (made for this instrument!) and playing with a drone accompaniment amongst other harmonic treatments - and coming up with an introductory bit, for a change It would be lovely to connect on YouTube - always like to follow what fellow Anglo enthusiasts are up to so please do drop by and say hello My channel is here: https://m.youtube.com/channel/UCyfaF1wA2EZagdS7E8i3ixw
  8. Hi there! This is my first post on this forum but not my first visit, so believe me I'm just as disappointed in myself for buying a wee 20 button Scholer as you will be. I own myself a lovely 48 bass piano accordion and wanted to branch out to other free reed instruments, my budget being what it is this Former German Republic model will do for now. Honestly it was bought as a bit of a project, having a broken strap (which I have already temporarily mended) and 2 missing buttons which should be easier to replace thanks to the cheaper wooden design. The daughter of a family friend has been envious of my accordion since I got it and I thought this would be a fine gift for her next birthday if I could get it presentable. The biggest issue I face is the notes themselves as I can't seem to figure out what keys the 2 rows of buttons are in. I won't kid myself into thinking this instrument will still be in tune after years of activity or lack thereof, but I hope enough of them are for someone to be able to help me. Using an online chromatic tuner I repeatedly tested each button on both the push and pull, to ensure as much accuracy as possible, and noted down the notes. I will attach an image of the results in the hopes that someone can help me figure out the key. (I will only be attaching the left hand notes as I presume that would be enough to identify the keys, but will happily post the right hand too if needed.) I'm not sure what I'll do for the reeds that are invariably out of tune, in my corner of Scotland I can't find a suitable shop and I certainly wouldn't want to try and tune them myself. I'll burn that bridge when I come to it though. Thank you in advance and I look forward to being a member of this fine community! ~Ethan
  9. Hi all! I'm a concertina beginner with a 20 button C/G anglo concertina. I can't sight read from regular, non-concertina sheet music (yet), and I really enjoy learning songs from the two concertina sheet music books I have. I'm starting to run out of songs that I like to play in them, so I figured I'd try to make some basic sheet music for myself. I can figure out simple melodies by fiddling around just fine, but when it comes to inventing chords, I find it hard to memorize them without sheet music to help me learn. For arranging, I downloaded Musescore and I'm getting hang of the program. I'm beginning with Alice in Wonderland (the main theme from the 1951 film). So far I just put in the basic melody, but next I want to figure out some left hand accompaniment. I thought if there's any other beginners that maybe just the melody would be helpful to them. Open the PDF (alice4concertina.pdf) if you just want the sheet music. I've also included the Midi file (alicemidi.mid) should you want it. Please let me know if you have any thoughts on it or recommendations! Hopefully I will have a more fleshed out version of it ready to post soon. alice4concertina.pdf alicemidi.mid
  10. Hello all. I was directed here from another forum. I expressed my interest in finding a good cheap concertina to knock about on and they directed me to both the 20 button anglo and this fine board. I understand that that model is a bit limited, but due to how likely it seems that I will be able to get one within my budget and how easy it should be as a starter instrument I think it is a good fit. It also seems to be the perfect fit for the sort of music I'm interested in playing. Sea chantys, fiddle tunes, backup to a few drinking songs, that sort of thing. From what I understand I could then move on to a quality 20 button or even upgrade to a 30 button without having to relearn much if I ever feel the need. On the subject of budget I can potentially go as high as $200, but if at all possible I'm hoping to find something a bit cheaper. Thanks for taking the time to check out my request.
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