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maccannic

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Posts posted by maccannic

  1. I find it hard to imagine anyone playing concertina for any length of time and reaching a reasonable standard without also playing, or having played, one or more other instruments.  But maybe that's because that's not the way I did it.

    Born in 1948, piano lessons from about 1955.  First guitar in 1963 - I was going to be the next Beatles, but I soon changed to the next Bob Dylan.  1974 borrowed a piano accordion, inspired by the playing of Garth Hudson, and bought my own one in 1977 (I still play it). 

    Never liked concertinas much, but then I didn't know about duets until I saw Tim Laycock in concert in mid-1990's.  Bought a 64-key Lachenal Maccann for Christmas 1997, replaced it with a 67-key Aeola in 2009 which is what I play now.

    I no longer have a piano (except a little electric one), and arthritic fingers mean I no longer play guitar much.  But I still play accordion for song accompaniment (can't do barn dance gigs any more), and tune sessions on the concertina are what I like best.

  2. I have owned:  Lachenal New Model 64-button Maccann duet, serial no. 1865, from 1997 to about 2014 (sold via this website, donation made).

     

    I own:  Wheatstone Aeola 67-button Maccann duet made in November 1914, from 2009 to date.

     

    I have tried numerous other Maccanns, basically every time I encounter a Barleycorn stand.  (Also one horrible German 20-button anglo, which I couldn't get on with at all.)

     

    And that's it.

  3. No Maccann group that I know of - we plough a lonely furrow.  And please spell it Maccann, it makes searches more reliable.

    The late David Cornell used to run a website for Maccann players, but I don't know if it's still going.

    And I play with 4 fingers.  4 note chords sometimes.  Also, shocking habit, I tend to jump between two buttons in the same column, as quickly and smoothly as I can.

    Good luck with it.  The world needs every Maccann player it can get.

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  4. The other evening (actually World Concertina Day) a pad came off the end of its lever inside my Wheatstone.

     

    I stuck it back on with Loctite super glue and it seems to be OK now.  But I'm wondering if such a 'modern' material is the correct thing to use.  What are your thoughts?  And why would this happen after 109 years?

  5. I'm afraid I don't do recordings or videos, but to mark World Concertina Day I went along to our local tune session as usual, but after a while my box had a 'mechanical' so I had to abort early.

    At home the next morning I took it apart to find that a pad had dropped off the end of its lever.  So I've glued it back on and it seems to be OK now.

  6. Yes, both systems are perfectly playable, but both need a bit of work to get the hang of them, the Maccann possibly more so than the Crane.  Small hands might find the Maccann with its six columns of buttons a problem - for example the chord of F-sharp minor stretches across all six columns.  But then, I should imagine the Crane with only five columns makes you reach up and down the rows more, which despite my fairly large hands I would find awkward.

     

    Also, on the Maccann, and despite nearly 25 years of playing (I wouldn't go so far as to call it practice), I can't get my head round the illogical position of the D-sharp/E-flat button.  So I mostly stick to the sharp keys, and forget about anything 'flatter' than F major.

  7. Better move your hat out of the way, Alan.

     

    I play duet, also piano accordian, and I have no trouble keeping my notes separate.  I don't slur from one to the next unless I want to.  I used to play accordian for morris, and sounded just as 'dancey' as any melodeon or anglo (and rather more interesting harmonically, but that's another issue).

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