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Tom Cunliffe

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Posts posted by Tom Cunliffe

  1. I have owned this concertina since 2007. It was sold to me by a well-known concertina.net player.

     

    The instrument was fully restored by Andrew Norman in 2007. It was purchased from the grand-daughter of a Yorkshire miner and it had been stored and unplayed for many years before it was restored, thus the excellent condition.

     

    It is tuned to concert pitch and every one of the 48 notes plays loud and clear on bellows push and pull.

     

    Photographs of this instrument can be seen in this Picasa Web Album. It's serial number is 56309 which I think means it was manufactured sometime after the First World War.

     

    Videos of me playing it can be seen here

     

     

     

    I am selling the instrument with a brand-new "super deluxe" gigbag as can be seen here The Music Room

     

    I am selling it because I no longer play this beautiful instrument as much as I would like it to be and it seems a shame that it is not being used as much as it should be. I also play plucked stringed instrument which take up more of my time.

     

    It is for sale at £1,800. I will cover the cost of courier-ing the instrument to the purchaser (in UK only). It can be viewed on the Sussex Coast in Seaford or by arrangement at a relative's house in Brighton. I will accept payment by Paypal, cheque or electronic bank transfer. I require cleared payment before despatching the instrument.

     

    I am happy to answer further questions or to provide further photographs or videos of any aspect of the concertina.

     

    The instrument also appears on ebay.

     

    Tom Cunliffe

    email: southcoastsounds@gmail.com

    mobile: 07857 982331

  2. My Zoom H4N easily gets over 4 hours on two Duracell AA. I tend to use Superdrugs own brand of alkalines to keep the cost down and don't find a lot of difference.

     

    I don't think 4 hours is bad for a recorder of this quality. Best to Google around and see whether you need some of the advanced features of the H4N. There are definitely running-cost recorders. I don't think 2 AAs lasting 4 hours is bad anyway - for twin stereo mikes with a pre-amp.

     

    I've just found a great audio comparison test including sound samples of several recorders here. Includes cello, wind instruments, piano etc.

     

    Tom

  3. In my opinion, its hard to beat the Zoom H4N with its twin condenser mikes and simple to use controls.

     

    Its a professional level recorder with its own pre-amp built in so you can plug extra mikes in should you so wish.

     

    It uses SD cards and so can have vast recording capacity. Its very robust indeed.

     

    I use mine regularly and the sound quality is superb. Look at some reviews and you'll find it hard to find anything other than the highest praise for this versatile recorder.

     

    If its too expensive for you, I am told that the H1 is very good also.

     

    Tom

  4. at was the commissioned one. I'm interested to see what he has and when I get to look it over I'll post up the serial number and some pictures.

     

    Last night our youngest and I had the little 'tina out and were pootling with some notes (remember neither of us can play any instrument). (see above post for our Charlies attempts at going through the notes ) The little one sounds lovely and after working through the note order I was starting to put together the basics of Old Lang Syne.

     

    Sounds like your well on the way to joining the concertina lovers community! It gets addictive I warn you.

     

    By the way - here's a tongue in cheek warning against becoming a hoodie -

     

    http://ukesnotdead.bandcamp.com/track/oi-kid-dont-be-a-hoody

     

    (lyrics perhaps not quite suitable for your young'un)

     

    Tom

  5. I run the website for Seaford Folk Club (East Sussex) and just thought I'd let people know that Jody Kruskal is coming to Seaford next Friday.

     

    A great event for concertina players in Sussex. Further details on the website Seaford Folk Club

     

    Tom Cunliffe

    PS - sorry, I should have put this under public news and announcements. Could an admin move it please? Thanks.

  6. Barry's just visited us for the weekend as we were all going to the Lewes folk festival (very good by the way).

     

    I took the opportunity of videoing him playing his new Dipper in my back garden. The results are here:

     

     

     

    As you will see he's playing his harmonica at the same time which he says might be gilding the lily!

     

    The Lewes Folk Festival was really good, and Valmai Goodyear and Bryan Creer led a wonderful session on Friday evening - plenty of concertinas, plus fiddles, bagpipes, flutes, whistles etc, etc.

     

    Tom

  7. Does anyone know the present or future status of Henk van Aalten's Recorded Tunes Link Page? Its former location gives the message "This page no longer exists." I've tried to e-mail Henk about it but haven't received any reply, and he doesn't appear to have visited c.net since January. I did find an archived version of the page here which could be used as a starting point to rebuild and update the page if someone wanted to take that on.

     

    Daniel

     

    Gosh, I'd forgotten about that. I've got four tunes on it from some years back and I've just replayed them from my computer versions and they sound terrible. If anyone offers to update it perhaps they could delete the brightfield tunes.

     

    I'm inclined to think that now YouTube has become so prevalent perhaps this one isn't quite so necessary.

     

    If someone offers to redo the page, they might like to look at the list of mandolin tunes hereas a model.

     

    Tom

  8. Apparently they could hear me from the parking lot across the road and the up-tight lead harpist thought I was intruding on the rehearsal. I would never have thought it would carry that far.

     

    Concertinae are generally louder than harps...especially outdoors.

     

    Is the concertina a competitor to the triangle then? . . .

     

    "A single stroke on the triangle clearly penetrates the full force of an orchestra"

     

    I always thought the mandolin could do that too.

     

    Tom

  9. I'm learning Leaving Stoer, which I found on YouTube as played by Murray Grainger.

     

    I found a version on www.thesession.org but its not quite the same, and I prefer Murray's version.

     

    I wonder if anyone can tell me which is the correct version (i.e. as Ivan wrote it).

     

    Its a fantastic tune and works really well on my English (apologies to Scottish concertina netters).

     

    Tom Cunliffe

    PS - my first post here for a while - I used to be username brightfield, but seem to have lost access to that since moving house and changing ISP

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