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Ken_Coles

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  1. You could do worse than to look at Volume 1 of Breathnach's Ceol Rince na hEireann at the pages showing ornaments on different instruments. The text is written in Irish in my copy, but easy enough to sort out. Where it shows a cran on low D for pipes it shows the ornament (would I call it a roll? A grace note? I don't know) as I've heard it done on accordion and concertina. There is much more info out there but that might get you started. Have fun!

     

    Ken

  2. You also learn that while it doesn't sound loud to you, it can sound quite loud to someone next to you. I have learned to avoid sitting next to fiddle players, who have a lead role in the sessions I go to and need to hear what they are doing rather than hearing me. Being next to a bodhran works fine.

     

    Ken

  3. I'm tempted to speculat that might be one of many badge names for instruments made in China - someone here may know better and can correct me. The quality of those factory instruments varies a lot and you can likely do better. Where are you located? Someone nearby may be able to help you choose an instrument or show you some examples.

     

    Ken

  4. On 1/5/2023 at 7:32 AM, RAc said:

    May I suggest to open a dedicated (possibly sticky) thread for those intro videos and take administrative precautions to prevent that thread from being contaminated with chit-chat?? This one is already cluttered up with meta discussions (which is good and useful but...)

     

    Alan's idea is good, yet I foresee the initiative to go down side issues road as happens all too frequently, and for that thread it would be a pity if that happened.

    Just my 0.02 (pick your currency 😉).

     

    Policing a thread to ensure it contains only posted recordings and nothing requires a significant effort from your administrators. The only "administrative precaution" I can come up with is for Paul and me to moderate and approve every single post in that thread after an unknown and variable delay. My guess is some people will avoid such a process and start their own thread, as they are welcome to do.

     

    Another approach any one member could curate themselves (feel free!) would be to follow the model of the "Current makes of concertina" thread: Edit current links to each recording into the first post and let everyone add posts to the thread as they wish. That is how a community like this tends to function - people read/hear something and immediately think of, and want to post, a response. We're happy to have them do so.

     

    Ken

  5. So sorry to hear this. When I visited Australia in 2006, Chris G. arranged for me to visit Richard up in the Blue Mountains - a spectacular setting. It was a great experience and his knowledge of the instrument was fascinating. My impression is that he was a bridge from the old days to the modern era of the concertina in Australia.

     

    Ken

  6. There is another thread on this very topic here. Good luck. The upgrade option is a good one; and "riding a bicycle before you get your first car" isn't all bad. While a 20-vintage may limit what you can play, a Rochelle or Wren will too, in another way. I didn't find missing a few notes on my Italian 20b the first two years was a handicap; there were plenty of other things to master anyway. And while you can't do every melody, you can do partial chords (D, A, B, etc.) on a C/G 20b - I have songs I still accompany that way, and that was good early training for me also.

     

    Ken

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