Pete Dunk

December 25, 2012

Happy Christmas!

X:88

T:O My Love is Like the Red, Red Rose

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Moderato "1/4=120

Z:Peter Dunk 2012

K:C

!p!GE|(C>CD>E) (c>BA>G)|(A>GAc) [d2G2B,2G,2] (cd/e/)|\

(C>CD>E) (c>BA>G)| ([AF]>[GE][AF][bD]) [c3E3]||

G|(cedc) (A<c) (GE)|G>G fe {e}d2 (g>f)|\

([ec]gec) ([AF]>c[GE]E)|(G>G[AF][bD]) [c3E3] G|

(C>CD>E) (c>BA>G)|(A>GAc) [d2G2B,2G,2] (cd/e/)|\

(C>CD>E) (c>BA>G)| ([AF]>[GE][AF][bD]) [c2E2]||

December 24, 2012

X:87

T:Barbara Allan

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=110

Z:Peter Dunk 2012

K:Dm

!p!A2|[d2F2] (d>e) f2 ([e=BG]d)|[c2E2] ([ec]>[fd]) [g2e2] (fe)|\

d2 (de) (fedc)|(A2 d4) A2|[d2F2] (d>e) f2 ([e=BG]d)|

[c2E2] ([ec]>[fd]) [g2e2] fe|(d3 e fedc)| (A2d4)||\

c2|([A2F2]c2) ([G2C2]AG)|([F3A,3] [GC] [A2F2]) (dc)|

(A3 G F2G2)|(A2d4) (cB)|([A2F2]c2) ([G2C2]AG)|\

([F3A,3] [GC] [A2F2]) (dc)|(A3 G F2G2)|(A2d4)||

December 24, 2012

X:86

T:O Gin Ye Were Dead, Gudeman

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=140

Z:Peter Dunk 2012

K:D

!p!A,2|D2D2A2 (D>E)|[F2D2][E2C2][E2C2](F>E)|\

D2D2A2 (D>E)|[F2D2][d2F2][A3F3] A|

([bG]cdA) (FGAF)|([bG][AF][GE][FD]) [E2C2] (FE)|\

D2d2 (ABAG)|L(F3 E D2)||

(A>|d2d2 (defd)|(edef) (e2 dB)|\

(ABde) (defe)|d2[A2F2][b2G2][A2F2]|

(BcdA) (FGAG)|(BAGF) (EGFE)|\

D2d2 ([AF][bG][AF][GE])|L(F3 E D2)||

December 24, 2012

X:85

T:Boatie Rows, The

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=130

Z:Peter Dunk 2012

K:D

!p!D|(F<A) (A>|(Ad) (e/d/c/B/)|(A<F) (E>D)|(FE) zD|\

(F<A) (A>|(Ad) (e/d/c/B/)|(A>F) (E>F)|D3||

(d<f) (Bd)|(A>dAF)|(E>DE>F)|D3|

December 24, 2012

X:84

T:Blue Bonnets O'er the Border

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegro "3/8=100

Z:Peter Dunk 2012

K:C

!mf!L[c3G3E3C3]L[c3G3E3C3]|([cGEC]ed) (c>AG)|\

[cAF]AA A>Ag| L(age) ([eG]>d[cE])|

L[c3G3E3C3]L[c3G3E3C3]|([cGEC]ed) (c>AG)|\

([AF]>BA) ([GEC]E>G)|([AF]c)>E L(E>DC)||

(c>eg) (gec)|([af]>[ge][eG]) ([eG]>[dF][cE])|\

(ceg) (a>bc')|(c>de) (e>dc)|

(c>eg) (gec)|L([af]>[ge][eG]) ([dF]>[ce][dF])|\

([ce]>AA) (GEG)|(AcE) (E>DC)||

December 23, 2012

Best not to mention Donkey Riding or I'll have Chuck on the case again!

X:83

T:Bonnie Laddie, Highland Laddie

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=120

Z:Peter Dunk 2012

K:G

!mf!(G>A) BB|(cA) B2|L([bD][AC]) ([AC][G/B,/][A/C/])|\

L([bD][AC]) ([AC]|(G>A) BB|

(d/c/B/A/) B>A|L(GE) (ED)|L(GE) (ED)||\

(eg)(de)|(cB/A/) B2|

L([bD][AC]) ([AC][G/B,/][A/C/])|L([bD][AC]) ([AC]|\

(eg) (de)|(cB/A/) (B>A)|L(GE) (ED)|L(GE) (ED)||

December 23, 2012

X:82

T:Birks of Aberfeldie, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=140

Z:Peter Dunk 2012

K:Bm

!p!(D>EFA) (d>edB)|(d>edB) (c/d/e) (d/e/f)|\

(D>EFA) ([dF]>[eA][fd][eA])|([dF][bG][AF]F) L(E2 B-) H||

!mf!B|(D>EFd) (AFA>F)|(ADFA) (B/A/G/F/) E>F|\

(D>EFA) ([dF]>[eA][fd][eA])|([dF][bG][AF]F) L(E2 !D.C.!z||

December 23, 2012

X:81

T:Saw Ye My Wee Thing

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "3/8=80

Z:Peter Dunk 2012

K:Em

!p!(Be).e (e>f[gB])|([fd]>ed) (fa).a|\

([bd]>c' (ab[d'b])|(b>a[f^dA]) [e3G3]|

(Be).e (e>f[gB])|([fd]>ed) (fa).a|\

([bd]>c' (ab[d'b])|(b>a[f^dA]) [e2G2]||

([f/^c/G/]e/)|[dF].d'.d' .d'(e'f')|(f>ed) (fa)z|\

Be'e' e'2 d'/e'/|[f'^a]>e'd'/^c'/ b2 z|

!crescendo(!(AB^c de!crescendo)!f)|(F>ED) (FA)z|\

([bd]>c' (ab[d'b])|"_rall."(b>a[f^dA]) [e3G3]||

December 23, 2012

:ph34r:

December 23, 2012

So, a player for Contradances who has called square dances and danced Scottish Country dances should bow to Morris dancers?

If they are standing in a circle around you brandishing large chestnut sticks you may think it wise . . .

X:80

T:Johnnie M'Gill

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegro "3/8=100

Z:Peter Dunk 2012

K:Dm

LcAA AGF|LcAA AGF|L[GDB,]FG [A^C]GA|L[FD]DD D2||

c|Lfef gfg|L[afc].f.d cAF|\

L[fcA].e.f L[gec].f.g|Lafd d2 (f/g/)|

L[afc]fa [g^cA]eg|L[fd]de ([fdB]ef)|\

L[cA]AA [A^C]GA|L[FD]DD D2||

December 22, 2012

Arnau, welcome to concertina.net.!

If you want to sell an instrument here the best thing you can do is post pictures. Add a written history or description of the concertina if you can but that might be hard for you with English as a second language. You can probably understand far more of what I am saying here than you are able to reply to, pictures work in all languages!

Pete.

December 22, 2012

From the Woodchurch Morris Men tune book (and the Morris Ring website just so's you understand who you're messin' with) :

X:39

T:Blue-Eyed Stranger (Headington), The

M:4/4

L:1/8

Q:1/4=170

A:Headington

P:A2(A2B2)4

K:G

P:A

P:B

GABc d2 d2|edcB A3 z | B2 d2 cBAG | E2 EF G2 :|

Chicken and egg perhaps?

December 22, 2012

Well, well, well. The Blue-Eyed Stranger by any other name I do believe!

X:79

T:Mill O, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Moderato "1/4=140

Z:Peter Dunk 2012

K:Bb

!p!(B>c)|[d2F2] (F>G) F3 B|(G>FGB) L[c2A2F2] ([bD]>[cF])|\

[d2B2][F2D2] (edcB)|([G3E3] A [b2D2]) (B>c)|

%

[d2B2F2] ([FE]>G) [F2D2] (BA)|(G>FGB) L[c2A2F2] ([bD]>[cF])|\

[d2B2][F2D2](edcB)|L([G3E3] A [b2D2])||

%

!mf!zF|(Bcde [f3d3][ge])|([ge][fd][ec][dB] [c3A3F3] F)|\

(Bcde [fd]>[ge][fd][ec])|L([d3B3] [ec] [f2d2]) zF|

%

([bD][cF][dB][ec]) [f2d2] ([eG][fF])|\

([gE]fe[dB=E]) [c2A2F2] B>c|d2F2 (edcB)|L([G3E3] A [b2D2])||

December 22, 2012

Here we go with the fermatas making the tune feel lumpy again!

X:78

T:Get Up and Bar the Door

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=120

Z:Peter Dunk 2012

K:F

!p!C|[FCA,]>F[FCA,]>F|[FCA,]>F [FB,G,]F/F/|\

([FCA,]f) ([gcA]e)|L[d2B2F2] [cAF]>c|\

([cA]>[dB][fA]>[dB])|

%

([d/B/][c/A/][AF]) H[GEC](F/D/)|\

([FCA,]G/A/) GF|L([D2B,2] [FA,]) C|\

[FCA,]>F[FCA,]>F|[FCA,]>F [FB,G,]F/F/|

%

([FCA,]f) ([gcA]e)|L[d2B2F2] [cAF]>c|\

([cA]>[dB][fA]>[dB])|([d/B/][c/A/][AF]) H[GEC](F/D/)|\

([FCA,]G/A/) GF|L([D2B,2] [FA,])||

December 22, 2012

Second bar of the second line is short one beat. I suspect it should be the same as the second bar of the fourth line.

Not exactly but now corrected.

December 21, 2012

X:77

T:Souters O' Selkirk, The

C:arr. Carlo Minasi

M:3/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegro "1/4=160

Z:Peter Dunk 2012

K:D

!p!E2|([FD]>[GE]) [A2F2][b2G2]|[A2F2]F2[d2F2]|\

(BAGFED)|([FD]>[GE]) [A2F2][b2G2]|\

[A2F2]F2[d2F2]|L[c4G4E4A,4] E2|

%

([FD]>[GE]) [A2F2][b2G2]|[A2F2]F2[d2F2]|\

(BAGFED)|(G3 A B2)|A2F2d2|L[c4G4A,4]||

%

!mf!D2|d2D2 (FA)|([d3B3] [cA] [b2G2])|(BAGFED)|\

d2D2A2|(d3 c [b2G2E2])| L[c4A4E4A,4] D2|

%

d2D2 (FA)|d2 (edcB)|(BAGFED)|\

(G3 A B2)|[A2F2][F2D2][d2F2]|L[c4A4E4A,4]||

December 21, 2012

X:76

T:My Nannie O

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=140

Z:Peter Dunk 2012

K:Eb

!p!(EF)|(G2C2)([G3=B,3]F)|[E2C2] ([D=B,]>C) C2 (C>D)|\

[E3C3] F (GFGB)|[c2E2A,2]([F=A,]>G) [E2B,2] (E>F)|

%

[G2E2][b2G2] ([AF][GE]FE)|([F2D2][G2E2]) L([e3G3C3] d)|\

([c3A3E3] [bGE]) (GFG[=BF])|[c2E2] (C>D) C2||

%

([GE][AF])|([b3G3] [cA]) ([cA][bG][AF][GE])|\

[e2G2] ([bG]>[cA]) [b2G2] (ed)|([c3A3] d) ([eG]de[fcA])|\

[g2=B2G2] [cE]>[dF] [c2E2] (_BA) &x6 D2|

%

[G2E2]e2 (BGFE)|[F2C2A,2][G2B,2G,2] L([e3G3C3]d)|\

([c3A3E3] [bGE]) (G>FG[=BF])|[c2E2] C>D C2||

Edited to correct typo.

December 20, 2012

No. 75, three quarters finished, roll on the day.

X:75

T:My Heart's in the Highlands

C:arr. Carlo Minasi

M:3/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=110

Z:Peter Dunk 2012

K:F

!p!([FA,]>[GC])|[A2F2] ([GE][AF][cA][AF])|\

([G2C2][F2A,2]) ([FA,]>[GC])|[A2F2][c2A2] ([fd]>[ec])|\

{[d2B2]} [c4A4] (d>c)|{B}([b2E2][A2F2]) (G>F)|

%

(FA) C2 (c>|(A2F2[G2E2C2])|[F4A,4]||\

[F2A,2]|([G2C2][A2F2]) [f2A2]|(F2E2F2)|

%

([G2E2C2][A2F2])[f2A2]|([c2A2][A2F2][F2A,2])|\

([G2C2][A2F2][c2F2A,2])|([F2C2A,2][E2C2B,2][d2F2B,2])|\

([c2F2A,2][A2C2][G2B,2])|[F4A,4]||

December 20, 2012

It is with great regret that I have to announce that two months ago today our fellow forum member Larry Stout lost his battle with cancer. I will miss our lively private discussions about tunes very much.

December 20, 2012

X:74

T:Campbells are Comin', The

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "3/8=100

Z:Peter Dunk 2012

K:D

!mf!D|(FAB) (AFD)|LF2 F F2 E|\

(FAB) (AFD)|L[E2C2A,2] [ECA,] [E2C2A,2] D|

%

FAB) (AFD)|(F>GF) ([dF][eA][fd])|(dBd) (AFD)|LF2 F F2||

%

A|[d2F2] [dF] ([dF]>[eA][fd])|[A2F2] [AF] ([AF]FD)|\

[d2F2] [dF] ([dF]>[eA][fd])|[b2G2] [bG] [b2G2] [AF]|

%

([AF]>[bG][cE]) ([dF]>[cA][bG])|\

([AF]>[bG][cE]) ([dF][eA][fd])|\

([dB][bG][dB]) ([AF]FD)|LF2 F F2||

%

D|(FAB) (AFD)|LF2 F F2 E|\

(FAB) (AFD)|L[E2C2A,2] [ECA,] [E2C2A,2] D|

%

FAB) (AFD)|(F>GF) ([dF][eA][fd])|\

([dB][bG][dB]) ([AF]FD)|LF2 F F2||

December 20, 2012

X:73

T:Bonnie House o' Airlie, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "1/4=140

Z:Peter Dunk 2012

K:F

!p!F2|([F2D2] [G_E]A) [b3D3] A|\

([GDB,]>F[GEC]>A) [F2A,2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2]) zF|

%

([F2D2] [G_E]A) [b3D3] A|([GDB,]>F[GEC]>A) [F2A,2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2])||

%

FG|[A2F2] ([AF]>[bG]) [c3A3][cA]|\

[dB]>[dB][dB][cA] [c2A2] (cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2]) zF|

%

([AF][GE][AF][bG]) [c2A2] [cA][cA]|\

[d2B2] ([dB]>[cA]) [c2A2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2])||

December 19, 2012

Rather too late for requesting this as a Christmas present this year but if you haven't spent up you may feel like treating yourself to a copy of this great tunebook early in the New Year!

December 19, 2012

X:72

T:Bessie Bell and Mary Gray

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "3/8=100

Z:Peter Dunk 2012

K:C

!p!G|([EC]>[FD][GE]) ([GE]>[AF][_BG])|([AF]>GA) F2 F|\

([EC]>[FD][GE]) ([GE]>[AF][GE])|[c3E3]{cd}[e2G2] G|

%

([EC]>[FD][GE]) ([GE]>[AF][_BG])|\

([AF]>GF) f2 ([e/c/][f/d/])|\

([ge][fd][ec]) ([fd][ec][dG])|[c3E3]{cd}[e2G2]||

%

g|(e>de) (cde)|(fd_ (def)|\

(gec) (cdc)|[e3c3G3] ([g2c2A2] e/f/)|

%

(gec) (ege)|(fd_ (def)|(gfe) (fed)|c3 {cd}e2||

December 19, 2012

Erm . . .

X:71

T:Comin' Through the Broom

T:or Gala Water

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Slow "1/4=90

Z:Peter Dunk 2012

K:D

!p!F2 (E>D) D3 F|([A3F3D3]B AF[EB,G,]D)|\

([F2D2A,2][E2C2A,2])[E2C2A,2]([FD]A)|\

([bGD][AF][dB][cA]){[cA]}([b2G2] [AF])Hz/ A/|

%

([A2F2D2] [bG][cE] [d3F3] [eAC])|([fAD]>e[dBG]\

([d3A3F3] F)|([F2D2B,2]E>F) ([E2C2A,2] [FD][AF])|\

([d3B3] [cA]){[cA]}([b2G2] [AF])Hz|F2 E>D HD3 z||

December 19, 2012

Another one suffering from the messed up rhythm between sections.

I'd change

!mf!c2|

to

!mf!c|

Sorted! See what you think of this one . . .

X:70

T:Wilt Thou Be My Dearie

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "1/4=100

Z:Peter Dunk 2012

K:G

!p!(G>DE>D)|L([G2B,2] [DB,]z/D/)|(G>A c/B/A/G/)|\

([bG][AF]) ([A/F/][c/A/][b/G/][A/F/])|\

(G>DE>D)|(L[G2B,2] [DB,])z|

%

[GB,]>[GC][bD][dB,])|([cE][bD]) [b2D2]|\

([AC]>[GB,]) ([AFD][b/G/][d/B/])|[e3G3c3] [gcE]|\

([dBG]>e) (e/d/c/B/)|([eGC][AG^C]) ([AFD][b/D/][A/=C/])|

%

([GB,]>[DB,][EC]>[DB,])|L([G2B,2] D) z|\

([eGC]>d) ([dGB,][b/D/][G/B,/])|([bEC]A) \

([A/F/D/]=c/B/A/)|[GB,]>[DB,][EC]>[DB,]|L([G2B,2] D) z|

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Pete Dunk

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Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

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Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

Chappell's One Hundred Scotch Melodies

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Chappell's One Hundred Scotch Melodies

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