Henk van Aalten

Chris When Louis Lachenal really was a Belgian, it is very well possible that his name was written like La Chenal, which can be translated as "the channel". The observation of the "other" Chris that there is an entry in the London phonebook "W.S. La Chenal (020) ********" is interesting in this respect. Chenal should be pronounced more or less like this: The Che part like "shut" (without the t). The a in nal should be pronounced as the a in after. Henk

Those persons are BICONCERTINUOUS Henk

Craig, From a historical perspective, the word CONCERTINIST was already used in May 1891: http://www.maccann-duet.com/champion/index.htm Looking geographically, the word is very often used "down under" by Richard Evans and even in the USA and Europe! Henk

Hi again, Some extra thoughts on this subject. Maybe someone else has been doing what I suggested in my previous message. Because this subject is hardly concertina-related, I had a look at GOOGLE. Some interesting results in the search, but I cannot find the time now to have a close look at the results. Maybe someone else with more understanding of musical notation than I have?? Henk

Jim (and all previous contributors) Your Smarteye sounds very good! I myself downloaded a try-out version of Mozart and had some great fun with it. It is in many ways perfect, but I did not discover the possibility to import/export tiff or abc. In this discussion thread a lot of software names are mentioned, but I have the impression that the functionalities are quite different, so (as we say in Holland) we are comparing apples with pears. Maybe we should make a comparison with regard to price, user-interface, input and output of the software: tiff, abc, midi, etc. Make a nice table of it and publish it on this web site! Henk

Phate This web site offers you a lot. Have a look at: the learning section of this site and certainly to Absolute Beginner's Concertina: A new guide to playing the twenty key Anglo concertina Have fun with your Stagi! Henk

Жим Я не панимаю ваше вапрос! Хенк But if you ask whether I play concertina, the answer is yes. But I am not allowed to tell you anything about this URL!!

Российский ... Путеводитель по сетевым ресурсам о российских женщинах и женском движении в России.....

Hi ye'all Did you see this one? http://www.contemplator.com/folk.html There's some great stuff to be found! Henk

Joachim To my opinion this is definitely a Chemnitzer Concertina. You will find a lot of information at: http://www.chemnitz-concertina.de The subtitle of the site is "Sehnsucht aus dem Blasbalg" (Melancholy from the bellows). This should make you very excited! I am sure that in future I will hear the instrument and have the opportunity to play it. Have fun!!! Henk (edited to upload the picture)

David This sounds like duet concertina's are heaven as compared with the poor anglo's, struggling with the choice between Jeffries or Wheatstone button lay out. Maybe you can start a topic: "Why duets are heaven" Henk

Pushers & Pullers What are the specific advantages (or disadvantages) of the Jeffries and Wheatstone button lay out for 30b Anglo's? The different lay out's are shown on the "Suttner - site": Wheatstone Jeffries Finally, when you play on more than one anglo, is it advisable to stick to the same button lay out?? thanks for your reactions Henk

Sharon you are right for those tunes where the different lay-out really matters. A lot of (simple) tunes have the same fingering pattern on Wheatstone or Jeffries lay out. I myself am used to the Wheatstone lay-out and when I tried last summer a concertina with Jeffries lay-out, it felt very confusing with the more complicated tunes. I am in fact very curious about the specific advantages of both types of lay out. Maybe I start a new topic about this subject(?) Henk

For about 15 years I had great fun with 20 buttons, playing mainly Irish and regularly supported by a guitar... so there was no real need for chords on the tina. Now I play a 30 button and sometimes "some chords" or second melody-lines are used. Henk

Sharron As Joachim alreay suggests, you have two different button lay-outs with your two concertina's. Jurgen Suttner shows the two very clearly at his website: Jeffries lay out (you can click an see fot yourself) Wheatstone lay out From your words I conclude that your new concertina has a Wheatstone lay-out and your last has (had?) a Jeffries lay-out. Henk

Jim, I do not think another poll is necessary. Hawaii or Fiji is not so important. As long it is far away and an opportunity to play & have fun together it is OK with me. BTW: Ireland is also a nice spot. Even without a B&B called MyIsland. Henk

Hi Some warm fuzzies: 1. Last summer playing together with Joachim on a seaside hill on the Bask shore overlooking the ocean. A group of youngsters with surfboards passing by with thumbs up and a big smile. 2. Playing together with a friend who sings (very nice) and plays guitar. He very often surpises me with new songs that I never heard before. Most of the time I can easily pick up the melody (when he is singing in the right key), but very often somewhere in the melody he announces a musical part that I am supposed to play. In 99% of the cases I am too uncertain and as a result I am completely dissatisfied with my playing. But there is this 1%!! My friend started singing a tune (in G) and the melody-line felt as if it has been living inside me. While playing I could hear in my head very nice variations and second melody lines. So as soon as he indacated that it was time for my instrumental part, I really could realize what I have heard inside. As a result I saw chicken skin coming in my friends arms!!! Hoping for a lot more warm fuzzies! Henk

Jim It's nice to see that you take this serious! Henk

My all time favourite is the jig "My darling asleep". It's the first tune that I could play on fiddle some 30 years ago (long before I discovered the concertina). At this moment I very much like "An Paistin Fion" as played by Mary McNamara of her "Blackberry Blossom" CD. Henk

I fully agree with Geoff! At this moment Blackberry Blossom is my real favourite. Mary McNamara's playing is really encouraging me to go to a next level of concertina playing. I invite Geoff to communicate about the "the list of concertina's" she is playing at this CD. Henk

Jim By suggesting this, I see you as the perfect candidate for the chairman of the "Concertina's at Fiji" working group! Henk

As far as I know the word dulcimer refers to the Italian word dulce, meaning soft. There is no historic relation between the hammered and the mountain dulcimer. You can read a lot more about it at: http://www.dakotacom.net/~daddario/dulcimerHistory.pdf Henk

As far as I know the essential thing of an air is timing or even better the absence of timing (meaning without any strict rhythm). This makes airs (at least for me) difficult to reproduce by simple hearing. On the other hand, when you master the basics of an air it gives you a lot of space to make your own interpretation. Examples are: TÁIMSE 'IM CHODLADH, LAMENT FOR LIMERICK, THE IRISH BOY, HER MANTLE SO GREEN, etc. On the other hand the tunes mentioned above are often called slow airs (but I never heard about fast airs!). Henk

Morgana, This is a great idea! Maybe one of our more IT-litterate colleagues could give some instructions on what to have on-board on your computer. Maybe Paul Schwartz (our highly regarded IT guru behind the scenes of this great site) has some ideas or suggestions for a virtual meeting place where we could join to play together and listen (and have a virtual beer?). Playing "Auld Lang Syne" at New Year together with about 1000 concertina's from all over the world!! Just the thought of it !!! Henk

Recently I have bought a Jackie. It arrived about 24 hours after ordering, but I live in the Netherlands. I have just put it on a kitchen-thing and it's weight is 1300 grams. The sound is good. When I compare it with my Marcus Anglo, the Jackie sounds very "dry" (I do not know a better description for the sound). Finally I have problems with playing the low notes. I have to bend my fingers very much to reach them. Maybe the straps should be placed more to the edge? I have normal hands, but they are used to play Anglo Henk