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Steven Hollander

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Everything posted by Steven Hollander

  1. I think that another issue that can be considered is that there are differences within makers which include date it was made, model/grade of instrument. I have a 1914 6-sided Wheatstone english with raised ebony ends and metal buttons. Yesterday I got together with a friend who has a 1960's wheatstone english with metal buttons and flat metal ends (it seemed that it is aluminum) I found that my concertina played faster/smoother, and had more volume and a much different tone than my friends. In the past I owned a a 1920's wheatstone english with flat metal ends and metal buttons which I belei
  2. Peter- This is somewhat off the original post,but I would like to take the opportunity to say how much I enjoyed this recording. I enjoyed the relaxed pace and tightness of the playing, and the great tune selection. The more years I play and listen to dance tunes the more I enjoy hearing tunes being played without accompaniment from rhythmn instruments as it allows the "internal rhythmn " and "groove" and phrasing of each tune speak for themselves. I want to add that the combination of pipes and concertina is one of my favorites. --- Steven
  3. Thank you all for your replies and good advice which I will use when I get the ends back. It is helpful to know that I did a few correct things before sending it off for repairs such as laying out which screw go in which hole, and having jewler's screwdrivers on hand. I'd like to add an additonal question: A friend advised (some years ago) to put some parafine wax on the threads to provide lubrication when tightening the screws which can also aid the reverse. Is this good advice? I have used this technique on some of my other concertinas and it seemed to work well--Steven
  4. Are there any guidelines about how tight/loose the endbolt screws should be? Can mistakes be made by how tight/loose you adjust the screws? If too loose, will it lose air more quickly or if too tight can it damage the ends; ie - cause the sides to warp. I am asking this question because I have sent the endplate units to get repairs done on the button mechanisms ( I still have the bellows and reeds/reedplate). I just got word that the repairs are done and the ends are on the way back. I want to make sure that I reattach them properly with the right amount of torque (or what ever that term i
  5. I got my copy the other day and listened to it all weekend. All I can say is WOW!! GROOVY!! I have been really enjoying it. The variety of players, styles and tunes along with the sound quality is quite outstanding. There is not a dud on the CD. My interest and exposure in Anglo playing is mostly Irish, so I appreciate the exposure to the other possibilities of Anglo playing-- I also aprreciated the way the various styles were organized on each CD which added to the fun of listening. I can't say enough good things about this CD. Alan Day, et al ;--thanks much for your hard work in releasing
  6. I started off my musical life on the 5-string banjo (clawhammer-style) over thirty years ago-About 20 years ago, I was playing in a contra dance band, and tried playing jigs and other Irish tunes on the banjo but I didn't think it fit. Around this time, I met a person who was passing through town that played a Wheatstone English. I feel in love with that "sound". I was hooked on wanting to play the concertina. I bought a Bastari (accordian reeded EC). It was okay to start on but didn't have that "sound" I had fallen in love with. I then got a "vintage" Wheatstone EC. Which I still play and l
  7. My Dipper came about 3 weeks ago-Unfortunately< I had to suddenly leave town, 2 days after it arrived due to a family emergency. I got back about 10 days ago and I haven't put it down since arriving home. It is an 8-sided 32-button c/g anglo with raised wooden ends, walnut that came from the dashboard of an old Bentley. It's what Colin called his "Bentley Cottswold" model. I had originally ordered a County Clare model but I have always loved the look of the Wheatstone Aeolian so I changed my order--I'm glad I did-it's a beautiful looking instrument and has an incredible tone with a much
  8. No such luck. You did get it right, so now you're going to have to do some posting. <{POST_SNAPBACK}> Well, my next step I guess will be to fix my spelling ( i.e.- submitted= not summited!) Well perhaps my excuse is that I have been a banjo player far longer than a concertina player?)--In response to Jim= Hopefully my next post will be to announce the arrival of my new DIPPER ANGLO><<YAHOO YIPPEE>> Yep-it's in its final stages of tuning and tweeking. I have sent Colin my $, I'm just waiting for a case to be made as the person who makes the cases ha
  9. I have recently bought a CD of "Grand Picnic" which is the Contra Dance band in which Jody Kruskal is the Anglo Player. I had the tape but wore it out but I found this CD through the Button Box. It's a wonderful recording, and YES Jody Kruskal is a fine player. I highly recommend this CD if you are into this genre of music. ..(PS- I hope I sumitted this post properly this time??--if not, I guess I just stick to reading the forum and playing tunes!!)
  10. I had the wonderful pleasure of seeing/hearing Raynauld Ouellet in concert and at worshops. I think he's the finest Qubecois melodean I ever heard. I don't play melodean but attending his workshop just to hear him play up close. The point of mentioning this is that he makes the most beautiful and nicest sounding melodeans I have heard. Someone in this thread mentioned that they are interested in Quebecois Melodeans: well he would be the one to buy one from.I remember the cost was extremely reasonable.--Steven
  11. Any relation to the English standard, Soldier's Joy? I have an idea that the tune Redwing is another tune common both sides of the pond, but really I know diddly about bluegrass. Are there many tunes in common? Chris Are there many tunes in common? There are a few jigs that are played as reels/hoedowns in old time music: "New Rigged Ship"(jig) is "Green Willis/the Raw Recruit" ,and "Patsy Geary" (Jig:a-part) is the "Yellow Rose of Texas". Also, an Irish reel: "Bonaparte Crossing the Rockies" ( sometimes played as a march and/or hornpipe) is played as an fiddle tune in old time mu
  12. The way to know that the floor is level is to see if the concertina player is drooling out of both sides of his mouth---
  13. During the past 6 months or so, I have been doing gigs with my wife. I've been playing English concertina,bodhran,bones and 5-string banjo,and Ruth plays celtic harp and fiddle. We play a fair amount of English Country dance (Playford-type ) tunes,some O'Carolyn tunes and some Irish/Scottish hornpipes, jigs,etc; and old time Appalachian fiddle -banjo tunes. It's been a wonderful treat,and cool how much variation of arrangements,and sounds we can get. I think the combination of harp and concertina is a great sound. We both play in a few larger bands,but this duet thing has been a special tr
  14. Jim-the serial # of my Wheatstone english is 26520. The friend who sold it to me said it was made about 1904 or 1905. But when I looked up the serial # in some chart ( I can't remember where?) it put my concertina at about 1914, which is what led me to my question--thanks--Steven
  15. I was wondering if the serial numbers for Wheatstone English and Wheatone Anglo correspond to the same year, ie-if a serial number for both an English and an Anglo are in the 23500 serial number range- were they made in the same year?--Steven
  16. Why not play both an English and an Anglo. I had been playing English for about 15 years and then got an Anglo. For me it was a good thing as I find that it gives me the flexibility to choose which instrument to play a particulat tune as I find that certain tunes fit the english better and visa-versa. Also, I have found that learning the Anglo has given me ideas and techniques that have transferred to the English. In all honesty. I can't say that I prefer one system to the other. I love them both and will always play both.
  17. --OOPS!--"Irish Tradition" is indeed the band name--I must have had my head up my bellows??
  18. There are severalrecordings available of Billy McComsky avaible on CD: He has a solo BA recording -"Making the Rounds" (I think that's the name ?), and 2 recordings of him playing with the band-In the Tradition (Billy plays both BA and anglo on these 2 albums). They're fine albums and he's a great player AND quite a likeable character: I had the pleasure of going to some workshops he gave at the Summer Solstice Festival in CA. Most of the workshops were for BA but he did do one for anglo,although he said that he doesn't play much Anglo these days and infact he didn't have one for the worksho
  19. For me--It's the body buzz I get from playing tunes with others. there is is nothing more satisfying then when the the music clicks and you're in that groove- Ah!!! it's like you're whole body is dancing as you're playing---Steven :
  20. Hi Helen- I play 5-string banjo (old-time clawhammer), English concertina, Anglo concertina, and Bodhran. My wife,Ruth, plays fiddle, Celtic harp,and piano accordian (and over the years has played some flute, clarinet, and mandolin. We are currently playing in an old-time band called :"Public Domain String Band", and we occassional perform and play for dances as a duet. I also play in a contra dance band called: "Loose Shoes".--Steven--
  21. My favorite tune is the one I happen to be playing at that moment-- Steven
  22. My choices: First of all, I was going to list a few Irish ones, but Frank Edgely beat me to some of them--here's a few more--Noel Hill and Tony MacMahon- "Knock Na Gre (spelling?), Jackie Daly-Music of Sliabh Luchara, and JAckie Daly with Seamus Creagh (Jackie plays most accordian,but also plays tunes on Anglo). My favorite English Concertina recording is from Alistair Anderson-I think it's called "trad. tunes (?)---Steven
  23. Hi--I'd like to share my warm fuzzy experience: While on my honeymoon, which was a 3 week cross country trip, my wife and I brought our instruments with us. While we were staying at my parent's home, we had a dinner party with some of my relatives and old family friends. They asked us to play some music for them, so we played some old time and Irish tunes-which they liked okay (i think?). But then a neighbor of my parent's brought down a tune book of old Yiddish folk and Yiddish theater songs. As we started to sight read through the tunes, they all perked up and started clapping and dancing,
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