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robert stewart

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Everything posted by robert stewart

  1. At this time, Wim Wakker is definitely making concertinas. He is currently making a baritone for me, his Parnassus model, which should be ready by January, possibly February. I believe that the workshop there makes sets of instruments on a schedule. I have not had any email problems, and have always received prompt and helpful responses. best wishes, Robert
  2. yes it is still available. Several people have shown interest, but no one has committed yet. Do please send me a Private Message if you want to proceed: if you buy, I can make a donation to Concertina.net rather than throw money at Ebay where the Edeophone Duet is currently listed. Where are you located? Best Wishes, Robert.
  3. Greetings Steve. What is your experience/opinion with your Parnassus concertina? You can send me a PM if you prefer (if in forum should this be a separate thread?) best wishes, Robert
  4. oOOPs!!! Highest note on the RHS is, of course, the high G as shown in the chart.
  5. KEYBOARD LAYOUT: I started with the Maccann layout as shown on concertina.com, found where it matched, and added all the lower rows. Note that the F#, uppermost right RHS is not present, but a low F#, lower right RHS is present. This instrument has a loud voice overall, and yet a good dynamic range. The highest note is the top RHS C. the lowest note of all is a (RHS) B which sounds like the horn of the gods. The air button is on the RHS, plus a whistle and a duck quack (helpful for Vivaldi's Four Seasons in vaudeville interpretation). Those three are in a small row additional on the far left, right by the thumb. Not shown in these diagrams n
  6. Key board layout coming later today! (10.30 am currently in West Virginia) Robert
  7. Lachenal Edeophone, Circa 1909 A large 60 button, plus air button, Lachenal Edeophone, MacCann Duet system.The "Rolls Royce" of concertinas. Serial number dates it to circa 1909. Nickel plated raised ends, 9-fold (!) bellows. Old leather case, needs work, has the name of Harry Edson, a vaudeville entertainer. Completely and beautifully restored and tuned to concert pitch by maestro Greg Jowaisas, last year. Steel reeds in brass shoes. Offers over $1950 plus shipping.
  8. Here is a lovely pic of Barbara Bartle, the famous Music Hall concertiniste, that someone might like ....I just spotted it on Ebay https://www.ebay.com/itm/154455788671?hash=item23f6484c7f:g:NTIAAOSwKZxgoSdQ Robert
  9. Back in the late 60s early 70s in Britain there were a lot of these instruments with baffles in, found in junk shops for much lower prices than the high end instruments with ebony finish, ie for up to 3 UK pounds rather than up to 10 UK pounds for something truly superb. If only we had a time traveling machine! Enthusiasts would take the baffles out and dispose of them, as no one understood that they were over-tone modifying plates, and not just for muting the sound. I had an early Wheatstone with baffles and fourfold bellows, which certainly had a soft sweet sound (as Greg describes). Peggy Seeger told me that this was because some of these had "german silver" reeds. I do not think anyone knew much about fine tuning and temperaments in the folk scene of those days, so the level of knowledge today is, thankfully, higher. RJ
  10. Darn it....and I had got my Bosendorfer grand piano half-way into a bag before I read this comment from Jim. Now I have to get it all the way back up the stairs. RJ
  11. Duh? "unlike a regular piano a transposing piano is too heavy to throw into a bag and take with you to gigs". Am I missing something in the pianistic world now?
  12. I have a 61 button MacCann Edeophone. When I had it restored (by Greg Jowaisas) I opted to keep the original squawk and whistle. Because large duets were often played by professionals, I like to think of the original owner/player maybe using these sound effects in the British Music Halls, or on the Vaudeville stage in the USA. Many of those comedic entertainers were highly skilled concertinists. However, I can understand why it might benefit an Anglo, for modern use, to add extra notes if possible when the buttons are already there. Just think! Concertinas with squawks bells whistles frog croaks etc were perhaps the first analog synthesizers. best wishes, Robert.
  13. I should add that Greg Jowaisas did a wonderful restoration on the instrument last year, including tuning to concert pitch and 5th comma mean-tone temperament.
  14. Here I am answering part of my own question. The upper lines of the faded label inside the fine old concertina case read as follows "permanent xxxx" where the xxxx is unclear. Then below that H Edson, and the Pall Mall, Regent St etc. So I would guess that it may have read as: Permanent address, H Edson, Pall Mall Mail Depository, Carlton St, Regent St, London, England. So although I bought the instrument in the US, Harry Edson was a Londoner, with a rather classy permanent mailing address. Makes me wonder if he was a professional performer, but I can find no trace of him. Robert
  15. Further to the address: it says "Pall Mall Mail Depository, Carlton St, Regent St, London, England." but I can't figure out the uppermost lines. So it is a mail box address (?) Robert
  16. I should add that in addition to the area of Pall Mall, there is a more detailed street address (ie within Pall Mall). Pall Mall was a somewhat elite area in the 19th early 20th century. Maybe a good magnifier or scanner could reconstruct the street address. Robert
  17. I have a 61 button Edeophone MacCann Duet, once owned by Harry Edson. Does anyone know anything about him? Here are some pics, showing the unusual cylindrical leather case, with an address label inside from Pall Mall London (which I think may have been a dealer or the case maker?). 61 keys, raised metal ends, 9-fold bellows.
  18. They are easy to find...just search for Wheatstone or Lachenal. Same fraudulent items as previously, with embedded "buy it now" picture that gives the game away. I see some people may have made standard bids already (?). Plus the usual list of rare instruments such as Gibson guitars etc etc. Presumably these criminals need only one fake Buy It Now hit to relieve people of money. Then they vanish for a while, and resurface at a later date. RJ
  19. Of course, the problem is that all business models based on maximum impersonal profit are immoral and unacceptable. Best to play the concertina. Robert.
  20. Sorry to add to the fear and woe, but I have had several older instruments (including guitar and EC) that did not obviously smell of nicotine/smoke at first, but when played frequently began to slowly release the dreaded miasm of stale cigarettes. Presumably the vibrations of playing can progressively trigger the release from deep within organic substances such as wood or leather. Reminds of an old jazz musicians joke: No wonder there is widespread air pollution when so much of it has passed through saxophones. Robert
  21. It seems to me that the FBI could catch this fraudulent person by "following the money". But perhaps he/she is considered small fry. I found a substantial Ebay site yesterday evening, including the now famous full set of Uilleann pipes in B, and many other instruments. No concertinas. He should be squeezed until he bellows, until nothing is left but a reedy squeak. Robert
  22. yes I believe it is. several fine looking (totally unavailable and owned elsewhere) musical instruments in fake auctions. RJ
  23. Yes, he's back. Two entries on Ebay today...both for the same fake concertina auction, same pirated text as always. Look for "Wheatstone Lachenal English Concertina". People are actually bidding!
  24. Thank you Greg! I also keep a humidified room, as I have fretted instruments. My wife calls it The Jungle, as it is warm and humid...though perhaps she is also referring to the happy absence of tidiness. This creates another question-worthy scenario, as many room-humidifiers blow out a fine white dust, even when using distilled water. The distraught musician seems to do less practicing than he/she does cleaning-up. But those old British concertinas certainly sound best when they remember the damp of London, where they breathed in fog as they were played. Robert
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