cohen
-
Posts
40 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Posts posted by cohen
-
-
I have this pad arrangement on both by Jeffries Anglo and Jeffries Duet, where the topmost button on the row closest to the hand rest and the thumb button both operate the same reed with two separate pads.
One curiosity is that the tone between the two buttons is different, the button on the row being slightly more muffled while the thumb button giving a slightly harsher/buzzier sound, additionally when measured against a tuner the two give slightly different pitch readings.
-
1
-
-
The most recent addition to my collection is a lovely Jeffries 38 key in A/E, it's from the C. Jeffries maker period tuned to approx. A=444. I have no idea what it was used for in the past, but for me A/E is pretty much the ideal anglo tuning; C/G can get a bit high across the top end, but with a G/D you are almost getting into baritone territory, A/E sits nicely in the middle with an instrument that sounds lovely and is responsive across the whole range.
-
I don't know too much about North American institutions, but I hold a BA in Music from a UK university with the Anglo concertina as my main instrument.
In my application process, although I could see no universities directly advertising spaces for concertina players, I found that most of the universities I contacted were open to the idea. I think you might find something similar with North American Universities- if you contact a selection of institutions, you may find that many of them are open to the idea of taking on a skilled accordionist.
-
3
-
-
The duckling in full flight: https://youtu.be/tmQ1pnQnsfA
-
10
-
-
Introduction
I’ve been following Paul Harvey’s work for many years now, as a lifelong vegetarian/vegan the idea of a concertina made without animal derived components has always interested me and when Paul announced his new range of budget instruments I was fascinated.
My main instrument is a 45 key Jeffries C/G which I love, but it’s not perfect for everything and I’d been considering buying a cheap 20 key concertina to use when teaching one-on-one lessons with beginners and to use in schools as an instrument that I’d be happy for school pupils to be let loose on. I’d been considering a new Chinese instrument, but Paul’s announcement persuaded me to reconsider and I’m very glad that I did, because this is a very impressive instrument.
Feel
This is a very comfortable instrument to play- it is a good size (only slightly larger than a standard vintage 20 key instrument) and very lightweight.
It has rounded plastic buttons which are comfortable to the touch, these are placed slightly further apart than I am used to, but I didn’t find this to be a hinderance. The button action is reasonably fast, and the button travel is limited so that they do not disappear into the ends of the instrument- a real nice feature to have on an instrument in this price range.
Since this is a vegan instrument, the bellows are made from a washable paper instead of leather. I was interested in seeing how this would hold up when compared to leather, and perhaps after a few years of playing I would be better placed to answer this question, but they have already had a lot of hard playing from both myself and about 100+ school children and appear no worse for wear. The bellows are airtight and very flexible- I found that they were much easier to play straight out of the box than most new bellows are.
The hand straps are adjustable and (interestingly) the hand rests can be adjusted to be closer or further away from the buttons- this is a nice addition although the hand rests were fine for me in their default position. The method for adjusting strap tightness was unusual (it involves dismantling the hand rests) though it was simple, if slightly fiddly to do for the first time.
Sound
So, perhaps the most important question… how does the instrument sound?
Paul uses reclaimed reeds from vintage piano accordions which he tunes and voices to function as Anglo concertina reeds and he does a fantastic job at it. The tuning is good- far more in tune than most factory-built beginners instruments arrive. The sound of the reeds is also surprisingly impressive- of course as this is an accordion reeded instrument, the tone is very different to an instrument with traditional concertina reeds, but I find it to be far more concertina like than any other budget instrument, closer to the tone of a mid-range hybrid like a Tedrow or A.P. James than the tone of a Stagi or Rochelle. I’m sure that this is helped in no small part by the fact that the reeds are mounted flat, rather than in accordion style reeds blocks.
Final thoughts
For the price, this is a stunning instrument, very playable and with a pleasing tone. I would actually go as far as to say that I prefer it to some instruments that I’ve played priced at over £1000.
It’s been a great boon for my one-on-one teaching and I’ve used it in dozens of lessons over the past few months. More importantly, so far its done (and survived!) 5 full days in schools. It’s been really interesting to watch pupils that have no experience of concertinas getting to grips with the instrument. I think that this is the perfect instrument for that job- it seems to be a comfortable size and weight for most of the students and is much more hardwearing than say a Scarlatti which in my experience don’t tend to last more than a couple of months of hard playing.
A truly excellent instrument, I look forward to seeing what Paul comes up with next!
More details on Paul’s work can be seen at https://www.flyingduckconcertinas.co.uk/
Video demo to come in the next post…
-
6
-
-
I'm not an English concertina player, but my understanding is that piccolo instruments were made to take the high parts in the concertina bands of the late 19th and early 20th century.
I have a piccolo Anglo concertina and my view (which is shared by the handful of other people I've met with piccolo Anglo and English instruments) is that the piccolo isn't something to play your entire repertoire on- just something a bit niche to add variety to a concertina collection and to play a couple of appropriate tunes on.
-
Huge thanks for all the tips, lots of food for thought!
-
Thanks to everyone for your recommendations so far, lots of things to think about. Since I do most of my travel in normal times by train, I would like to avoid a case that was too far on the heavy side (although I recognise that getting a case that offers high protection and is lightweight is a bit of a holy grail!).
On 5/3/2021 at 4:58 AM, JD Rogers said:I am a big fan of a well-made, aesthetically pleasing case. My suggestion does not fall into the aesthetically pleasing category, but if you are looking for something for gigging, you might consider pelican or nanuk cases as they are watertight. The advantage is that they also help keep the humidity up if you live in a climate that has to deal with heating in the winter. I know many use the pelican storm im2075 for single concertinas, but the nanuk 918 works well for 2.
I know quite a few people with Peli cases for other things and they swear by them and by all accounts they are virtually bomb proof. What is the weight like for this with two concertinas in, and how easy was it to customise the foam inserts to fit your instruments?
-
I'm considering getting a double case made to take my Jeffries and Crabb concertinas as a convenient way to carry both instruments when I return to doing live gigs (whenever that may be... but let's not get into that!). I know a few members on here have double concertina cases, it would be great to know who people have used to build these cases and if anyone has any recommendations. I'm UK based, so UK builders would be preferred, but non-UK builders would be considered.
Thanks in advance!
-
That layout looks to be a C/G 26 key Stephen, so same idea would apply but you'd need to drop it a fourth to get to a G/D layout.
-
1
-
-
I would say that you've made a very good choice with the Mayfair as a first instrument. Yes they are somewhat limited in range and there are certainly better instruments out there, but they are as far as I've seen the best thing in their price range by a country mile. As you say some of the mass produced Chinese plastic instruments are just one step above toys. I'm an anglo player and my first year of playing was spent struggling on a series of very cheap modern instruments, in my second year of playing I was loaned a Mayfair anglo which brought my playing on a huge amount, so it's great that you've started out with a similar instrument.
-
Steve doesn't use paypal (or at least he wasn't when I spoke with him in December) so something like Transferwise would probably be your best answer.
-
1
-
-
Hi Carl.
I offer online concertina lessons. I'm based in the UK, but I have a handful of US students, and the only thing to be aware of is the time zone difference, but it's usually easy enough to work around this.
You didn't say in your original post, are you an Anglo player? This is the system that I play and offer tuition in- my main specialism is harmonic style anglo playing, for playing English tunes and song accompaniment, so working on Chanties and Sea songs is right up my street.
If you are interested, there are more details about online lessons on my website: https://cohenbk.com/teaching
Happy to answer any questions that you have.
-
Brilliant, I love low pitched anglos. I don't think I've ever heard a 30 key Lachenal baritone in full flight- you do it real justice, can't imagine it's the easiest instrument to play!
-
31 minutes ago, Ken_Coles said:
Interesting. Wonder if anglos and duets are next?
Ken
I did speak to Eddy briefly about this last year and he said that an anglo version is on the cards.
-
Thanks for the plug. As you say, the festival is going ahead online this weekend with a mix of pre-recorded and live videos. Plenty of concertinas among the artists, but my events for those who are interested are 4:30 on Sunday which is a live 'chance to meet' where I'll be doing a sort of Q&A along with playing a few songs/ tunes. Along with this I'm in one of the Monday evening concerts- this is pre-recorded. All events are free with any donations received being split between the artists and the NHS Covid-19 relief fund.
-
1
-
-
I do tend to read bass clef when playing pieces in parts however, in my experience of arranging pieces for concertina bands in the UK, most people prefer baritone parts to be written out in treble clef an octave higher than sounding and bass parts written out in treble clef two octaves higher than sounding.
-
1
-
-
46 minutes ago, alex_holden said:
Interesting, the first one sounds like an earlier and simpler version of the Franglo idea.
Kind of, but still retaining the melodeon shape. I can't find anything about it online, but here's a lo-tech picture of the photo that appears in the book.
-
1
-
-
15 hours ago, rcr27 said:
I’m wondering if someone has ever made an accordion with concertina reeds? That’d be interesting to hear.
There is a description of a Lachenal 'Chromatic Accordeon' in the book A Maid and Her Music, which biography of Ruth Askew, who amassed a huge collection of free reed instruments in her life.
The book describes it as having 19 treble keys across two rows tuned in B & D and 4 left hand keys. The reeds are Lachenal concertina reeds on the right with more ordinary accordion/melodeon reeds on the left. It was made in around the 1930s, so very late for Lachenal when they were under harsh competition from the accordion market- around the same time Lachenal also produced the infamous Accordeophone: http://www.concertina.info/tina.faq/images/accphone.htm
-
1
-
-
Chris Algar has a 30 key Lachenal D/A on his website: http://www.concertina.co.uk/stock-selection/?concertina=3253
-
Thanks John and mathhag. I've been pleasantly surprised by how well it's gone- there are some wonderfully generous and supportive people in the folk scene.
-
Thank you very much for your help Mike.
-
Thank you very much David.
-
Hello all. It's been a while since I posted on here, hopefully you wont mind me using this post for a little shameless promotion.
I am an English folk singer anglo concertina and melodeon player- some of you may be familiar with my work through the very nice thread that was started on concertina.net about 2 years ago:
I've launched a Kickstarter to raise funds for my second solo album which I am planning to release at the end of the year. This album has been in planning for about 9 months, and unfortunately the current situation with Covid-19 in the UK has left me without work for the foreseeable future and therefore without funds to produce the album. I am therefore asking anyone that is interested to consider supporting the project through Kickstarter, in exchange for a range of rewards, including advance copies of the album, skype lessons, bespoke tunes, song requests, right through to your own gig.
If you are interested, the kickstarter page is here: http://kck.st/2UFvMWE
Thank you very much for reading.
-
2
-
Anglo Concertina from Beginner to Master By Cohen Braithwaite-Kilcoyne, Rollston Press
in General Concertina Discussion
Posted
Someone's pretty much beat me to it, but yes, the book does use the same tablature system as all of Gary Coover's Anglo concertina books. It also features scannable QR codes to link to video recordings of all of the tunes.