Pianist
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Gender
Male
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Interests
Piano -mainly Baroque
Early Music
Folk - all sorts
Dancing - mainly Scottish
Concertina for fun -
Location
Yorkshire
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If you want something odd try Miss MacDermott by Carolan in F minor as in Donal O'Sullivan book on Carolan. (It's basically Princess Royal in a minor key and is usually transposed to G minor.)
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Yes for G#. Playing Ab is possible but tricky, if you go F# G# A because they're all on the same side of the concertina.
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Yes, my bad. It's the topG# that's missing and that's a pain if you play any pipe marches which all live up ther and use G#.
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Great. Having fun is the main thing 48 keys aren't just for classical. Depending on the style you play you canl run across a lot of accidentals. The main problem iwth the Jack / Jackie is the lack of a G# in the middle. You have an A flat at the top (enharmonic equivalent) but that can be tricky to finge and a G# at the bottom. This makes tunes in A major - mainly Scottish- a bit tricky.
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Why do we teach English concertina like we do?
Pianist replied to David Hanssen's topic in Teaching and Learning
Have a look at the Salvation Army Tutor, After some basic scales and tunes it's off into exercises in thirds, sixths, octaves and tenths. It suggests that you should start by playing a basic tune and then add start adding thirds and sixths below where appropriate. Basic exercises on dotted rhythms and syncopation are followed by tunes with harmony parts. It's teaching it all at once in a sensible manner. -
Why do we teach English concertina like we do?
Pianist replied to David Hanssen's topic in Teaching and Learning
Yes, the concertina was used for complex music. Somebody like Dave Townsend makes it look easy when he plays Bach. The Salvation Army Tutor gives loads of details about chords and includes things like Handel's Largo However, most people now play conertina in sessions as a melody instrument with chord players on guitars and such providing the rhythm rather than the harmony. Chord playing or vamping on a piano (or piano accordion as second box in a dance band) is mainly about rhythm. This means that you don't move your right hand much and play the chords with your hand between A3 and A4 regardless of inversions or voice leading with a base octave on the root note in the left hand. A walking base in the left is a nice touch. You can add left hand chords below a melody but you tend to move between a base octave and the rest of the chord in a typical oompah pattern. If concertina players want complex harmonies, they often play in groups with different instruments taking on different parts. -
Try something like irfanview - https://www.irfanview.com/ - to reduce them. Lovely littlwe program, once you've got it installed, click on the first image in your folder and then on image in te menu bar. The select resize, resample and scale it down. Click on file and then save as and give it a different name, ideally in a different folder. The nice thing is that if you press the space bar, it loads the next image. Repeat until they're all done.
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Long live concertina.net!
Pianist replied to SIMON GABRIELOW's topic in General Concertina Discussion
We moved to the York area six years ago. My wife grew up in York and we've visited regularly over the years. We stayed just off Bootham for six months till we found a place to buy. Yes, it's more trafficy and touristy. It's alot more gentrified than when my wife grew up there and went to Queen Annes. That's why we moved out to Easingwold. Tthere is, however, lots of music. We went to the York U3A folk group and found that the guy who ran it then played a duet. We also went over to Ripon and there are two other concertina players there - one Anglo and the other English (like me). There's also a flourishing Scottish Country Dance scene and there was a Ceilidh club up at Tang Hall. -
Concertina library online?
Pianist replied to SIMON GABRIELOW's topic in General Concertina Discussion
Basically this means that the site does not have an SSL certificate installed. This means that all communication with the site is in plain text and not encrypted. For ordinary data this doesn't matter. It does matter if you've got passwords or are doing web commerce as the traffic is not secure. In general many hobby sites have difficulty with SSL certificates either because they use a simple server or they are not configured properly. It usually doesn't matter but don't buy anythingfrom them or give out any important details. -
Maybe because of the link format. I'm on chrome and it downloads. You can then click on the download link and it opens in a new tab. If you're used to sites where you click on a pdf and it opens directly either in a new tab or a modal window then the download behaviout may be confusing.
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Hmm. Look at something like the Fitzwilliam Virginal Book or any decent book of divisions.The tune may start in mininims or whole notes but after three divisions it's quavers (8th notes) after four divisions it's semiquavers (16th notes) and the final divison would be demisemiquavers (32nd notes). Nothing to do with wanting it faster, just a natural development of the tune.
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I don't understand the thumb straps and pinky rests of the EC
Pianist replied to John Ray's topic in Ergonomics
Combination of things.Yes, you only need the thumb tips in the straps to be able to get to the first octave. It helps to tighten the straps to make this firmer. Yes, you only need to hook onto the rest to get some control. No you shouldn't be supporting the weight. Rest the concentina on one knee and use that to support the weight. Look at videos of players to see how they do it. -
How did you find your way to concertina?
Pianist replied to Capitanya's topic in General Concertina Discussion
I had piano lessons as a child and picked it up again in retirement. My wife plays folk fiddle and it was a natural match. However, a piano, even a keyboard, is far from portable. I tried piano accordion but to no avail so decided on the English concertina as a portable alternative. The English suits a pianist and it's easy to sight read once you get the hang of it. I started with a borrowed Jackie and then bought one to see how I got on. After going to Swaledale Squeeze in 2017, I ended up with a nice Lachenal and haven't looked back. We both play at two local U3A groups and find it great fun. -
Depends what you play. Scots tune (really traditional) often require the fiddler to use 3rd position so high c3 is quite usual. Similarly, both Scott Skinner and Phil Cunningham will start on a low A and work up. Scots tunes can often be in A major so use a lot of G#. Playford tunes will often be in B flat - again a challenge. The real beggar is Carolan who can write in F minor (A flat major equivalent) and the EC doesn't have a D flat.
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The sad demise of our music stores!
Pianist replied to SIMON GABRIELOW's topic in General Concertina Discussion
It's not just Banks. York has lost the physical Red Cow Music store as well. However, there are all sorts of outlets around York catering to all sorts of squeezables. Acorn Music - mainly accordions - is at Stillington. Red Cow is up at Thornton-Le-Dale. There's Squeezebox Marketplace at Boroughbridge. A little further afield is Hobgoblin in Leeds. So the death of Banks is not a total disaster.
