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TedK

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  1. Hi, There's an unsual looking "Gremlin" concertina for sale at the moment on this website: http://www.instrumentspast.co.uk/instruments/CS/C282S.html It looks of better quality than the Stagi made ones and I'm wondering if it could be one of those made by Andrew Norman- anyone have any thoughts? Ted
  2. I would say the Anglo has much more in common with the diatonic accordion (melodeon) than with any other type of concertina, and vice versa. Harmonicas are also similar in teh diatonic layout, but the method of playing is very different.
  3. This series of books are a good intro as they combine having the tunes in the authentic structure, while having them transposed to G and D and laid out in a more user friendly manner. Much better IMO for someone just dipping their toe in the water than the "black book": https://www.amazon.co.uk/Mallys-Cotswold-Morris-v-1/dp/1899512020 I don't play for Morris, but I do like playing the tunes which in many ways are the heart and soul of English traditional music.
  4. They may look similar, but the English Concertina and the Anglo are very different instruments, more different than for example a piano accordion and a melodeon, or even than a guitar and a mandolin Despite the more "classical" history surrounding the EC, both types are suitable for playing English folk music- after all no one ever said the violin wasn't an appropriate instrument for folk! Rob Harbron of Leveret is probably one of the most skillful and best known players of English trad. on a Concertina at the moment and he uses an English system. To me the Anglo is more intuitive, but less logical- if that makes sense! The English is probably more suited to playing from music due to the way the buttons correspond to the notes on the treble clef, while the Anglo seems to suit those that play more from ear. These are only guidelines though, and to some extent I think it just comes down to personal preference, and what you find the most enjoyable to play. Unless there is one particular player that you really want to emulate, you need to try both and find which suits you the best. As someone said above, a few minutes in a shop isn't really long enough. It took me a couple of years to make my mind up and I ended up buying cheap versions of each, and playing them for a few months before finally settling on the Anglo. You can get very cheap Chinese made Anglos, that while pretty crap will at least give you an idea of the system and whether it is something that suits you. I managed to buy one second hand for about £70, later sold it on for roughly the same price. English Concertinas are a bit more difficult as there are no real "dirt cheap" ones that I know of, but perhaps you could borrow one, or if you saw a second hand "Jackie" model for a good price, you would probably be able to sell that on without losing much as they are the most highly regarded of the beginners models out there. Good luck in your search!
  5. TedK

    Lachenal Reed Quality

    I have what I think is one of the the "Special Anglo Models" in Bb/F it certainly fits the description in all respects, and definitely feels a cut above any other Lachenel Anglo I've tried. It's 39 buttons, with no novelty noises. The catalogues I've seen make it very clear that there were different grades of reeds, and this was obviously a selling point for the more expensive instruments.
  6. TedK

    Upgrading Concertina

    I would certainly endorse the idea of the 26 button Jones mentioned further up the thread, it will give you all the most important buttons for cross row playing and is a decent "proper" concertina. I had one of these a couple of years ago and was very happy with it.
  7. TedK

    Upgrading Concertina

    Just my opinion, but if you have a working Scarlatti, I don't know if it's worth spending the time and money upgrading to either of the 2 instruments you have mentioned. They might be a bit better but are still near the beginners end of the market and I'm not sure the improvement would be that dramatic. Obviously I don't know your circumstances, but if you were able to save up a bit more and keep an eye on what comes up on the "buy and sell board" you should be able to get a decent quality hybrid or 30 button Lachenal for not that much more than high end of the prices you've quoted and then you would then have a really decent instrument that could keep you going for many years to come.
  8. I don't think there is any conflict between cross-rowing and the harmonic style- in fact it's often essential to play across rows to get the chord you want on the left hand. Harmonic style is certainly easiest in the "home keys" of C/G, I personally find it roughly equally easy (or difficult ) in both, but isn't that difficult in D either and definitely something to work towards. The principles of the instrument are the same whichever style you are playing, and personally I think that learning a diverse range of pieces can only benefit your overall understanding of the instrument. I guess the only exception might be if you wanted to learn a strictly Irish style for competitions or something, but I don't get the impression that's the case.
  9. I don't know of any concertina groups, but check out this regular session in Chorlton, South Manchester, I used to go to when I lived up that way. It's another "steady" tunes session, with dots provided, and they are a very friendly bunch who can no doubt fill you in on other local happenings. http://www.folkatthebeech.org/
  10. I have one of these, it's pretty solid and certainly far superior to any vintage case and will protect a concertina very well in most situations. It's perhaps not quite up to "premium flight-case" standard, but good for the price. I have found that the red "fur" does shed a little, but this hasn't caused me any problems.
  11. TedK

    Ebay Seller's Chutzpah

    You could just print your own, but isn't it worth paying $9.99 for the authentic coffee stains?
  12. TedK

    Edgley G/d

    Hello, Is this the Hybrid, or the Heritage model with traditional concertina reeds? I looked on his website but they seem to be the same externally. Thanks, Ted
  13. A few years ago after getting into folk music I wanted to take up an instrument that would be better for English traditional tunes (I already played guitar and 5-string banjo). I bought a cheap C/G concertina and learnt a few tunes in C and G, but at the time I could never really get my head around the cross-row style of playing for tunes in D. Being unable to afford (or even find) a G/D I eventually switched to D/G melodeon and got rid of the concertina! Then last year I spotted a 26 button G/D Jones being sold by Chris Algar on eBay, and decided to take a punt and have now been playing the Anglo again for about a year. I now have a Marcus in G/D, but my favourite box is a 38 button metal ended Bb/F Lachenal. Experience in playing the melodeon is definitely an advantage in learning the anglo again, but it's important to avoid the temptation to think that the finger is identical and that you can just transfer tunes across! I still play mainly "on the row" in the harmonic style, but have learnt to cross-row and have learnt a few tunes in A on the G/D.
  14. TedK

    Wheatstone 30 Key Linota Bb-F Anglo - 6Fold Bellows

    No idea about whether the price is right, but i have done quite a bit of selling on eBay of musical instruments and I would have thought that the chances of someone coming along who is both in the market for a top quality Bb/F Anglo Concertina and has £4000 available right away (and is willing to buy without trying it out) is quite unlikely within the 7 day window of an eBay auction.
  15. TedK

    Singing Witha G/d Anglo

    I use a Bb/F and G/D for song accompaniments in a band. I don't own a C/G, but find C is relatively easy on the Bb/F- much more so that on the G/D. If you are planning to carry 2 of your 3 boxes around, I would have said that the Bb/F and the G/D would cover more bases, especially as you obviously have G well covered by the G/D.
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