Mystery Wheatstone
Pete Horan (Pjhrn49@aol.com) would like to know if anyone knows the
story behind this Wheatstone anglo. It seems to be part old-style (good)
and part late-model (bad). The reeds and reed frames look unusual, with
their "crimped" ends and screwed-in attachments. The reed-pan
looks rather unusual too, with a sort of semi-radial layout. Does anyone
know anything about the reeds and other aspects of this model? It was
apparently made in 1960, which would put it close to the beginning of
B&H's takeover of the Wheatstone company.
Pete asks (Oct. 1999):
- What type of reeds they are and where their particular design came
from?
- What the story is on the reed pan design; was it a transitional development,
an attempt at simplification, or what?
- Why did Besson (Boosey and Hawkes) deem it necessary to alter the
trad. radial pattern; and then go back to it?
- Does anyone know where B&H company data/history of this later period
of Wheatstone can be found (1950-70)? Such as, how many design changes
were made, etc?
From Don Nichols (via Samantha Boorer [samantha_boorer@aon.com]), Nov. 1999:
"It is an interesting one, indeed. The crimped-in reeds are quite unusual, and I can imagine problems which would develop over the years requiring re-crimping them. I would love to see the underside of one of those reeds, to see whether they did what I think they did in forming them."
From Pete Horan:
"I did hear from S Dickenson on the 'mystery
wheatstone', in which he said it was a standard Boosey and Hawkes (and hence
no mystery). The design was their attempt, as I think we had more or less
surmised, to simplify and cut costs. The 'crimped' reeds are Wheatstone,
though Steve added in his opinion "not entirely successful". It is however a
true Wheatstone design."
|
