Father Charlie Coen at Swannanoa 2000
By Ken Coles, Logansport, Indiana U.S.A.
July 2000
Father Coen is clearly an experienced teacher. In his first parish in
New York City, he started a children's choir at the school and taught
them songs in Irish! He has not made an encyclopedic study of various
fingering systems or key layouts, so he teaches from what he himself
plays (3-row C/G system). My impression is that his style is strongly
influenced by the songs he heard as a child. This contrasts with the
various Clare styles you hear in many other teachers (Fr. Coen is from
eastern County Galway). As you'd expect, the ornaments are never the
same twice, and the use of drones and chords (very interesting to me)
differs from that I've heard in other players.
After several curious visitors the first day left (one had a bandoneon!),
there were seven of us in the class. Five were variously intermediate to
advanced (1 Stagi, 3 Lachenals, one Ball Beavon) and there were two
beginners (1 Bastari, 1 Lachenal). Each day we'd play through the tunes
we'd already done as a group, then Fr. Coen gave music for a new tune,
played it slow and then fast for us to record or listen to, and sent the
experienced players out for 20 minutes to work on it. He spent this time
with the beginners, who told me they were very satisfied that he tailored
what he was doing to what they needed help with -- mostly basic scales
and some slow tunes. We all came back in and got a second tune. We
practiced it together, and then there was commonly ten minutes left to
ask for demonstrations of ornaments, request tunes, or just let Fr. Coen
play one of his favorites. All this in a 75-minute class each day. At
the end of the week I had ten new tunes, only two of which I had heard
before. While we didn't get to play individually in class, we did
everything else I've done in longer, more intensive classes. I think
this format suits Fr. Coen's teaching style, and it works if you make a
point of practicing outside class. I'm not sure he could cover things
the same way in a single 2-hour or half-day workshop.
Father Charlie Coen is not only an experienced and efficient teacher, but
is charming and fun to talk to. He also knows more Church-related jokes
and stories than anyone else I've met! He expresses surprise at so much
interest in concertina, which he says had nearly disappeared from Irish
music a generation ago. I gather that he is not always free for summer
week-long workshops, but if you're interested in studying with him, check
the schedules for Augusta, Swannanoa, and East Durham, N.Y. (Catskills
Irish Week), all places where he has taught in the past.
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