QUOTE (Alex West @ Jun 2 2008, 09:06 PM)

Tallship
Seems like a great idea - I know I've copied a few threads for my own files which I refer back to occasionally/frequently.
What's the best way to proceed - build an archive in a separate folder somewhere?
Alex
Actually that's not a bad idea; not in a separate folder or even perhaps as part of the forum, maybe it would be better as a reference section on the main Concertina.net site. For an alternative idea see below.
QUOTE (Ken_Coles @ Jun 3 2008, 01:43 PM)

Hello,
Interesting idea; I myself feel there are lots of repair gems here. As for me, busy is one thing, lazy may be another consideration (speaking for myself, not Paul!).
There are some considerations here. Someone who can judge what threads are most useful for reference could compile the thread of threads. We could pin it, but to keep it from growing and drifting in the usual way, we might even need to find a moderator for the Construction and Repair Forum to do it. If you have ideas or candidates, let us know and we'll take it under advisement (the boss makes the final decisions!).
Comments?
Ken
Best way to keep it from drifting in the usual way is to keep it locked from new posts by members. Better that an appointed moderator reviews and updates a 'read only' categorised sub-forum than that he/she stifles the lively debates that appear in Construction and Repair as a whole. One thread could be left open for members to nominate posts for inclusion in a particular section.
The idea wasn't to moderate a whole section of the board (

), but simply to have a reference section of 'edited highlights' with threads on specific subjects ('bellows', 'reed tuning' 'action' etc) showing individual posts of significant interest but also giving a link to the original thread so that interested parties can read the whole thing if they wish. Perhaps the idea is too unwieldy to put into practice but I thought it was worth opening up for debate.
I started this thread by saying that we are blessed with a number of contributors who are expert repairers and makers of concertinas, I should mention that there are also a number of gifted 'amateurs' and 'dabblers' who regularly add to our knowledge as a whole, so professional or semi-professional status certainly shouldn't be a delimiting factor.
*Ducks and runs for cover*