It is beautiful to look at. You can tell that it is made with real precision down to the last detail. It's cherry wood with stainless steel ends and black leather straps and black delrin buttons. It has a 7-fold bellows.
The first time I played it I had NO idea what the heck I was doing. I thought "oh crap, what have I gotten into?" It was pretty intimidating. but as I worked around with it, and figured out how the notes are arranged, I gained more confidence. Then on I guess the 5th go at it or so, I finally let her rip, and I was shocked at the crisp yet mellow sound that came out when I heard it at full volume the first time. The notes (and I mean this in a good way) absolutely bark out of it when you want them to. The deeper tones are rich and warm. The higher ones are crisp and clean. The whole thing is beautifully balanced with regard to both volume and sound quality and it's very much in tune with itself. I don't know how important those factors are to Concertina players in general, but those are the issues that come up when you're talking Uilleann Pipes. I assume it's the same.
Frank Edgley is a real gentleman and was a real pleasure to deal with. He helped me decide what key to get. I wanted a lower sounding one because I song baritone and I got this to be my sing-along instrument. Can you imagine a singing piper?
Now I just have to change my avatar.
All the best,
Paul L