mikey123abc Posted January 11, 2016 Share Posted January 11, 2016 Hi everyone. Ye, I am another novice who just bought my first an old anglo concertina, and would like help identifying the history and maker etc. both ends are quite damaged, and will need serious repairs. I would like to know what I am working with, as it will affect how I go about doing the repairs. the only marking which I can find which may indicate a maker, is a crest of some sort stamped into the timber ends. (photo uploaded). thanks in advance for any help given. I have already gleaned a lot of great information about what I have, from this excellent site. Mike Link to comment Share on other sites More sharing options...
mikey123abc Posted January 12, 2016 Author Share Posted January 12, 2016 here are some more photos. Link to comment Share on other sites More sharing options...
Daniel Hersh Posted January 12, 2016 Share Posted January 12, 2016 It's German-made. I would guess that it's from the late 1800's, though others here may know more about that. The German concertinas weren't great instruments, so it may not be worth repairing. Link to comment Share on other sites More sharing options...
Stephen Chambers Posted January 12, 2016 Share Posted January 12, 2016 ... the only marking which I can find which may indicate a maker, is a crest of some sort stamped into the timber ends. (photo uploaded). Those appear to be the Royal Arms of the British monarchy, but I don't suppose they made it... More likely they're intended to suggest a Patent claim, seeing that such are granted by the monarch. Link to comment Share on other sites More sharing options...
alex_holden Posted January 12, 2016 Share Posted January 12, 2016 The position of the button holes doesn't seem to match what the fretwork designer intended. Link to comment Share on other sites More sharing options...
mikey123abc Posted January 13, 2016 Author Share Posted January 13, 2016 thanks for the replies guys. I think I will go ahead and re-construct/replace the timber ends. I just wanted to make sure I didn't have some hugely valuable and historically significant concertina (as if ;-)), before I go ahead and modify it to make it playable again ! I only paid $50 for it. Repairing old instruments to make them useable again is something that I enjoy, but I wouldn't want to modify a valuable instrument, hence the reason for my post. thanks Mike Link to comment Share on other sites More sharing options...
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