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Lillibulero


Stephen Mills

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Almost at the very beginning of the Tunes/Songs subforum, someone mentioned the tune "Lillibulero". I thought no more about it until I clicked on a Jackie English sound file of the tune and immediately recognized my old classical guitar piece by Henry Purcell, "A New Irish Tune", which I've noodled around with on Anglo.

 

A tedious trawl through Google yielded little extra systematic information. I gather it was appropriated widely, even at one point being an anti-Irish tune. Any of you Irish or UK'ers (or anyone else) have any interesting tidbits to add about this tune and its history?

Edited by Stephen Mills
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It is Purcell. It is used for ECD.

 

But because I am a sucker for a research question, I had to do some more looking around. It looks as if Purcell's tune was appropriated and set to lyrics by Lord Thomas Wharton. This is what caused the controversy. His lyric was originally anti-Jacobite.Look here. Then, anti-Irish. Sometimes it is just called "Jig."

 

This was one of the first ECD-type tunes I learned. I like it. I like Purcell.

 

That's the extent of what I know.

 

ldp

 

p.s. that and the name is frequently never spelled correctly! -- ldp

Edited by ldpaulson
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I have a record by the 'City Waites', a band that specialises in 16th and 17th century music, which sets the words to 'The Devil and the Farmer's Wife' to the tune Lilliburlero. I don't know (as I haven't looked at the record for some time) whether they set the words or they are using an older setting. The words fit very well.

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p.s. that and the name is frequently never spelled correctly! -- ldp

 

So many hits for "Lillibulero" on Google I wasn't even tipped off I'd dropped the "r". I'll bet it doesn't have as many spelling variants as the Ootpik Waltz, however.

Edited by Stephen Mills
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I almost fell off my chair when I followed the link ldp gives, since it describes Lilliburlero as a "march". It is tinkling in my mind as a fast and light dancing folk song that a Holst or a Vaughan Williams arranged, along with many other C20 English folky composers, and usually sung at about MM150. However I can't find any evidence that GH or RVW ever did arrange it, and it is probably a deliciously scrunchy Michael Tippett arrangement I can hear in my head as I write this.

 

What counts as a march is plainly quite wide ranging. Look at Brahms' Deutsches Requiem: "Denn alle fleisch es ist wie grass" is a slow section in 3/4, which the composer clearly marks as a march, and you'd definitely need 3 legs for it.

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What counts as a march is plainly quite wide ranging.  Look at Brahms' Deutsches Requiem: "Denn alle fleisch es ist wie grass" is a slow section in 3/4, which the composer clearly marks as a march, and you'd definitely need 3 legs for it.

There are also some great 3/4 marches in Northumbrian music. E.g., Lads of Alnwick.

 

Lillibu[r]lero has many uses, including as a Morris tune and a drinking song. :)

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