Hi all,
Just thought I'd do a little introductory post introducing myself as I'm new round here.
My name is Ollie King, some of you may know me from melodeon.net where I am relatively active. I'm a melodeon player by trade (see my website www.olliekingmusic.com for the sort of thing I do), so I'm not new the world of free-reed, but the concertina is still a slightly alien instrument.
Back in March, I started work as the free-reed specialist at Hobgoblin Music in Leeds. After settling in, I thought I'd better learn how to demonstrate all the instruments in my department, and started with the concertinas. Anglo came naturally, as you'd expect, but I must admit that I still cannot get a tune out of an English; my brain isn't wired that way, and I find it quite uncomfortable. I approached the duet (we had two Maccanns in at the time) with trepidation. I'd heard a lot about how bizarre the system was, and after my failure with the English, I didn't hold much hope! However, after a few frustrating hours, something clicked, and I knew that the Maccann was the system for me. For the next few months, I spent most of my free moments in the shop playing the 62 key Aeola that we had in. Unfortunately, the owner took the instrument off commission, and I was bereft of an instrument. Thankfully, the wonderful Mike Wild came to the rescue and loaned me his small Lachenal for me to continue to mess around on. I am now reasonably proficient in home keys, although my left hand needs a little work.
Yesterday, I made the trip over to Cleckheaton to The Music Room to have a look at their duets, with the view of coming away with one as an early 21st birthday present. I spent a few hours deliberating between a 62 key ebony ended Aeola, tuned a tone lower than concert pitch, and a 67 key metal ended Aeola, tuned in concert pitch with an extra set of original reed pans tuned a semitone higher than concert. I am now the very proud owner of the latter (30582 if anyone is interested). It is playable, and has a lovely tone, but needs some work doing to it, especially the extra reed pans. However, I hope to be able to do most of this work myself (bar tuning, which still scares me).
Sorry for the long rambling introduction. I expect I'll be popping in here a lot, for both restoration and playing advice, from now on!